Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!ames!apple!bloom-beacon!toad.COM!tim From: tim@toad.COM (Tim Maroney) Newsgroups: rec.music.gaffa Subject: Re: How do you listen for the first time? Message-ID: <8906232013.AA15154@hop.toad.com> Date: 23 Jun 89 20:13:32 GMT References: <8838@ihlpf.ATT.COM> Sender: daemon@bloom-beacon.MIT.EDU Organization: Eclectic Software, San Francisco Lines: 25 Approved: love-hounds@eddie.mit.edu Quoted-From: barth@ihlpf.ATT.COM (Richards) >A good case in point is the Sugarcubes album. When I first got it, I >thought it was pretty cool. Then I read the lyrics, and it seemed like the >lyricist was trying very hard to be "deep" in a language he (or she) couldn't >speak very well. They came across as sophmoric and clumsy, which made it >difficult for me to listen to the album without smirking, but I've since >learned to listen to the music and ignore the lyrics (sort of). Speak for yourself! (Yeah, I know, you are, but it's the ritual response and I'd hate to offend traditionalists.) I think the lyrics of the Sugarcubes' songs are a perfect complement to the LSD-inspired performance style. "This is hot meat, this is metallic blood...." The imagery is evocative and powerful. The lyricist has a deep grasp of the natural rhythm of language and could easily have been a postmodern poet rather than a song writer. Yes, there is a certain naivete to the style; naive style is "in" these days, and with good reason. These people may not be Tutuola, but they are damn good. -- Tim Maroney, Mac Software Consultant, sun!hoptoad!tim, tim@toad.com Postal: 424 Tehama, SF CA 94103; Phone: (415) 495-2934 "Women's wages are 56% of men's -- but that's not necessarily evidence of discrimination in employment." -- Clayton Cramer in news.groups and soc.women