Path: utzoo!utgpu!jarvis.csri.toronto.edu!rutgers!tut.cis.ohio-state.edu!bloom-beacon!essex.ac.UK!waya
From: waya@essex.ac.UK (Way A)
Newsgroups: rec.music.gaffa
Subject: Re: More Powerlessness
Message-ID: <17768.8907070929@ll2vax.essex.ac.uk>
Date: 7 Jul 89 11:29:07 GMT
References: <12507849282.32.MACGOWAN@SRI-NIC.ARPA>
Sender: daemon@bloom-beacon.MIT.EDU
Organization: University of Essex, Colchester, UK
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Approved: love-hounds@eddie.mit.edu

In article <12507849282.32.MACGOWAN@SRI-NIC.ARPA> you write:
>Really-From: Douglas MacGowan <MACGOWAN@SRI-NIC.ARPA>
>
>I cannot think of any of Kate's songs where the perspective is that of
>a person who is not acting on some kind of interior or exterior source
>that leads them into action: Under The Ivy has the "little girl inside
>me", Ran Tan Waltz's main character is a very weak man, Cloudbusting
>is full of other sources, and Ne T'en Fuis Pas (which I still maintain
>is the *best* song Kate ever did) has "the large eyes of my God."

I have never heard of "Ran Tan Waltz" or "Ne t'en fuis pas". 
Where do they appear ?