Path: utzoo!utgpu!watmath!uunet!ginosko!gem.mps.ohio-state.edu!tut.cis.ohio-state.edu!APPLE.COM!nli!jym From: nli!jym@APPLE.COM Newsgroups: gnu.misc.discuss Subject: Free Nelson Mandela Message-ID: <8908302354.AA02660@nlp9> Date: 30 Aug 89 23:54:52 GMT References: <8908301444.AA28404@ele.tue.nl> Sender: news@tut.cis.ohio-state.edu Reply-To: gnu-misc-discuss@cis.ohio-state.edu Organization: Natural Language, Inc. Lines: 32 > Free software goes on disks. Free music goes on cassettes. I've had a few comments---most private, one public---about this statement, so I guess I'd better explain it. We already have mostly-free music. While it is technically illegal to tape copyrighted recording material, people do it all the time. And it hasn't killed the record/CD industry. Few of the people who call software pirates thieves and communists would say the same about home tapers. In fact, I'd guess that an overwhelming majority of people would oppose any attempt to enforce those laws, because it would entail a great loss of freedom. Most of the music I like is on small, independent labels, and I often end up buying the records to support the labels and artists. But that's my choice. If somebody doesn't like them enough to support them---or, alternatively, can't afford to support them---should be able to tape them anyhow. That's their choice. A friend of Paul Simon's lent him some tapes he'd made of South African artists. Simon listened to the tapes while driving around. The result was _Graceland_, a pan-cultural collaboration and an international audience for some of these artists. If it weren't for the taping, Simon may have never heard or heard of Zulu jive music. Those records are on the Shanachie label, which most stores don't carry. If the music hadn't been copied in a form that was convenient for him to listen to, he might never have listened to it. The parallels with software should be easy to deduce. <_Jym_>