Xref: utzoo comp.text:5061 comp.text.desktop:928 Path: utzoo!attcan!uunet!ginosko!gem.mps.ohio-state.edu!apple!csibtfr!excelan!ba From: ba@excelan.COM (Bob Ackerman) Newsgroups: comp.text,comp.text.desktop Subject: Re: Which is better? Textprocessing langs or DeskTop publishing pgms? Message-ID: <455@excelan.COM> Date: 22 Sep 89 23:09:59 GMT References: <509@mjbtn.MFEE.TN.US> <2650@trantor.harris-atd.com> <2017@csv.viccol.edu.au> <729@idacom.UUCP> Sender: news@excelan.COM Reply-To: ba@na.UUCP (Bob Ackerman) Organization: Excelan, Inc., San Jose, Califonia Lines: 43 The comments in this series of ploys, counters, gotchas, rejoinders, sallies and general backchat have focused principally on two aspects in the production of printed material: typography and page layout. There is, however, an aspect of the production of printed material that seems generally to have been ignored, but is important to many producers of same--viz., graphic images of various kinds. Two points (or maybe metapoints) here: If I missed any pertinent articles, my apologies to the authors for not including the appropriate references. To those readers who don't have to deal with graphic images, you may want to quit reading now before you become inflamed. There are two aspects of most WYSIWYG systems that are important to users of graphic images. One is production technical; the other is administrative. On the technical side, many packages allow you to create and/or manipulate graphic images in context on the page (Interleaf, FrameMaker, Ventura Publisher, Word are the ones I am most familiar with). It is possible to create or load an image, put it in its location on a page, label its elements and see approximately (dependent on the resolution of the display device) how it will look when printed. On the administrative side, it is often easier to produce review copies of documents with live images in place. The graphic images also live with the document and are always available for maintenance. It also seems to me that the time necessary to produce a finished image on revision is less than that for pen-and-ink art. This seems especially true for art that, by its nature, is best created at one size and then reduced/enlarged. Photographic processes are slower than electronic processes, often not only because of the physics but also because not every shop can afford inhouse photographic equipment. Of course, as I'm sure every other reader is now clamoring to point out, there is a tradeoff here: Electronic images are not as crisp as pen-and-ink images, and the difference is more noticeable to the general reader than the difference between metal type and laser type. Everyone will have noticed images with lines at a shallow diagonal with a bad case of the jaggies. Some care with the creation of the images can reduce the effects, but certainly will not eliminate them. Nonetheless, for many kinds of documents and many kinds of images, electronic images are advantageous. Bob Ackerman ba@excelan.com