Xref: utzoo rec.audio:15220 rec.music.cd:4474 gnu.misc.discuss:262 Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!uflorida!rex!ames!vsi1!daver!apt!brian From: brian@apt.UUCP (Brian Litzinger) Newsgroups: rec.audio,rec.music.cd,gnu.misc.discuss Subject: Re: DAT copy protection Message-ID: <1680@apt.UUCP> Date: 14 Sep 89 07:09:30 GMT References: <2013@ifi.uio.no> Followup-To: rec.audio Organization: APT Technology, Inc., San Jose, CA Lines: 26 In article <2013@ifi.uio.no>, ketil@ifi.uio.no (Ketil Kirkerud) writes: > > DAT will not take 48 kHz data > > 44.1 kHz is the rate CD's are recorded at, 48 kHz is the DAT rate. > Of course, this method would not let you make DAT-to-DAT tapes of your > daughters first glockenspiel recital, but the record companies don't care > about that! > > This, of course, will be the largest problem : My main use for DAT > (when I get hold of one...) will be for music recording/mastering : > Not being able to make (digital) copies would seriously cripple > the usefulness of the system : There is always som editing, etc > to be done.. I've been told there are industrial DAT recorder/players that you can purchase that operate at 44.1 Khz. This makes perfect sense giving that a studio would want to master directly to DAT tape at the correct rate for later mastering to CD. The main problem with industrial units is the cost. The second problem with industrial units is that the tapes you make in your industrial unit won't play too well in your 48 Khz car DAT player. <> Brian Litzinger @ APT Technology Inc., San Jose, CA <> UUCP: {apple,sun,pyramid}!daver!apt!brian brian@apt.UUCP <> VOICE: 408 370 9077 FAX: 408 370 9291