Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!wuarchive!gem.mps.ohio-state.edu!tut.cis.ohio-state.edu!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@GAFFA.MIT.EDU Newsgroups: rec.music.gaffa Subject: Re: breathing death Message-ID: <15177@netnews.upenn.edu> Date: 5 Oct 89 22:20:17 GMT References: <8910051720.AA03664@cabot.dartmouth.edu> Sender: daemon@bloom-beacon.MIT.EDU Reply-To: Love-Hounds@GAFFA.MIT.EDU Organization: University of Pennsylvania Lines: 19 Approved: love-hounds@eddie.mit.edu Really-From: rubinoff@linc.cis.upenn.edu (Robert Rubinoff) In article <8910051720.AA03664@cabot.dartmouth.edu> Love-Hounds@GAFFA.MIT.EDU writes: >Really-From: juli@cabot.dartmouth.edu (Julian West) >> [Kate considered setting Joyce's words rather than writing her own.] >There seems to be no other way to interpret Kate's statement in the "London" >interview. If this is true it is, as IED remarks, extremely exciting! >Can anyone cite _any_ precedent for this in "pop" music? Well, the show "Hair" used a passage from Shakespeare as the lyrics for the song "What a Piece of Work is Man". And the Byrds(?) adapted a passage from Ecclesiastes for one of their songs (I'm not sure what the actual title was, but the chorus starts with "To everything, turn, turn, turn, there is a season, turn, turn turn"). I'm sure there have been others as well. Of course, in the case of Shakespeare and Ecclesiastes, the copyright had expired! Robert