Path: utzoo!attcan!utgpu!jarvis.csri.toronto.edu!mailrus!wuarchive!gem.mps.ohio-state.edu!tut.cis.ohio-state.edu!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@GAFFA.MIT.EDU Newsgroups: rec.music.gaffa Subject: Re: breathing death Message-ID: <20986@uflorida.cis.ufl.EDU> Date: 6 Oct 89 12:34:06 GMT References: <8910051720.AA03664@cabot.dartmouth.edu> Sender: daemon@bloom-beacon.MIT.EDU Reply-To: Love-Hounds@GAFFA.MIT.EDU Organization: UF CIS Department Lines: 23 Approved: love-hounds@eddie.mit.edu Really-From: greg@beach.cis.ufl.edu (Greg O'Rear) In article <8910051720.AA03664@cabot.dartmouth.edu> Love-Hounds@GAFFA.MIT.EDU writes: >Really-From: juli@cabot.dartmouth.edu (Julian West) >> [Kate considered setting Joyce's words rather than writing her own.] >There seems to be no other way to interpret Kate's statement in the "London" >interview. If this is true it is, as IED remarks, extremely exciting! >Can anyone cite _any_ precedent for this in "pop" music? Perhaps in the >future, other literary estates won't be so stubborn. (The Joyce estate >was never known to be the most cooperative...) > >Julian Well, yes I can cite a precedent. Syd Barrett used James Joyce's words for his song (I think it was) "Golden Hair" from 1969-70 ("Madcap Laughs" or "Barrett", can't remember which). There is a credit on the album stating that Syd got permission to use the lyrics. -- Greg O'Rear University of Florida greg@beach.cis.ufl.edu