Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!uwm.edu!uwvax!tank!shamash!nic.MR.NET!thor.acc.stolaf.edu!brownd From: brownd@thor.acc.stolaf.edu (David H. Brown) Newsgroups: comp.music Subject: Re: programs that can infer key/meter Keywords: Finale? Message-ID: <7354@thor.acc.stolaf.edu> Date: 13 Oct 89 12:45:50 GMT References: <15170@netnews.upenn.edu> <125936@sun.Eng.Sun.COM> <7203@thor.acc.stolaf.edu> <484@artsnet.UUCP> Reply-To: brownd@thor.stolaf.edu () Organization: St. Olaf College, Northfield, MN Lines: 29 In article <484@artsnet.UUCP> mgresham@artsnet.UUCP (Mark Gresham) writes: >Good luck. Especially on things like changing meters and >syncopations within a strict meter. If musicians can't agree >on how to notate such (and believe me, that's rampant) how can >someone program 'definitive' decisions about it? The way to make 'definitive' decisions: 1. Define an arbitrary standard. 2. Use it consistently. If you (a program) insist on such standard, some people will come to believe that it's correct. (My Acoustics prof. referred to this as "proof by intimidation.") If all goes welll, the standard will become accepted generally. Now, how to get all programs to agree (e.g. Finale, SCORE, etc.)? I'm sure I don't know. But a standard format for indicating syncopations would be extremely useful-- apart from the sillico-musical environ, too. >Mark Gresham ARTSNET Norcross, GA, USA >E-mail: ...gatech!artsnet!mgresham >or: artsnet!mgresham@gatech.edu St. Olaf College has very little to | M M | M M M | M M | M M M | M M | do with the things I talk about! | M M | M M M | M M | M M M | M M | | M M | M M M | M M | M M M | M M | Dave Brown: brownd@thor.acc.stolaf.edu | | | | | | | | | | | | | | | | | | "I _like_ programming the DX-7!" |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|