Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!tut.cis.ohio-state.edu!gem.mps.ohio-state.edu!usc!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@GAFFA.MIT.EDU Newsgroups: rec.music.gaffa Subject: Re: Jane Sibbery Keywords: Jane (x5) Message-ID: <4031@blake.acs.washington.edu> Date: 13 Oct 89 22:15:48 GMT References: <0624039717@uwovax.uwo.ca> <9051@batcomputer.tn.cornell.edu> Sender: daemon@bloom-beacon.MIT.EDU Reply-To: Love-Hounds@GAFFA.MIT.EDU Organization: University of Washington, Seattle Lines: 22 Approved: love-hounds@eddie.mit.edu Really-From: donley@blake.acs.washington.edu (Erik Olson) >Really-From: riley@tcgould.tn.cornell.edu (Daniel S. Riley) >John Switzer was the bass player and co-producer (with Jane) on No Borders >Here, The Speckless Sky, and The Walking. I believe that he's still the >bass player on Bound by the Beauty, but I don't have a copy handy to check >the credits. As I recall, the major changes in the band were a different >drummer and a different keyboard player (with the old keyboard player, >Ann Bourne (I think), adding bv's on one track). John Switzer is also the 1/2 producer on _BBtB_, though he doesn't show up laced throughout the credits like he is on _the Walking._ This business about their relationship/breakup and subsequent effect on the production of _the Walking_ cleans up a few holes I was wondering about in the differences between these albums. OK, here's a poser: What does the "secret message" mean on the end of "Are we dancing now?" -- you can hear by turning up the volume real high at the end of the song, footsteps and then Jane's voice saying "Wolfgang?" - Eo