Xref: utzoo comp.music:202 rec.music.classical:9255
Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!iuvax!cica!gatech!artsnet!mgresham
From: mgresham@artsnet.UUCP (Mark Gresham)
Newsgroups: comp.music,rec.music.classical
Subject: Re: Computer research in Schenkerian analysis
Message-ID: <496@artsnet.UUCP>
Date: 24 Oct 89 18:56:36 GMT
References: <5013@orca.WV.TEK.COM> <1325@accuvax.nwu.edu> <267@xpiinc.UU.NET>
Reply-To: mgresham@artsnet.UUCP (Mark Gresham)
Organization: ARTSNET  Atlanta, GA  USA
Lines: 21

In article <267@xpiinc.UU.NET> rwh@xpiinc.UUCP (Robert W. Holzel) writes:
>This discussion brings to mind the book "Metamagical Themas," which
>has several sections devoted to whether a computer can be used to   
>analyze creativity.  I can't spell the author's name from memory,
>but he is the author of "Godel, Escher, Bach," and for some time wrote
>the Metamagical Themas column in "Scientific American."  

And his gross misconceptions about the nature of music are moldy
baloney.  (Take it from there Steve, you're better on responding
about this one than I am!)


Cheers,

--Mark

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Mark Gresham  ARTSNET  Norcross, GA, USA
E-mail:       ...gatech!artsnet!mgresham
or:          artsnet!mgresham@gatech.edu
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