Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!uwm.edu!uakari.primate.wisc.edu!ginosko!uunet!ssbell!mcmi!denny From: rohan@muon.eng.ohio-state.edu (Rohan De Livera) Newsgroups: news.announce.conferences Subject: International Computer Music Conference Keywords: Papers and presentations, schedule Message-ID: <1989Oct17.135204.9758@mcmi.uucp> Date: 17 Oct 89 13:52:04 GMT Expires: 11/02/89 Sender: denny@mcmi.uucp (Denny Page) Organization: MCMI, Omaha, NE Lines: 393 Approved: denny@mcmi This is a preliminary listing of the Papers, Panels, Demonstrations, and Tutorials to be presented at the 1989 International Computer Music Conference (ICMC), to be held at The Ohio State University in Columbus, Ohio, on November 2 through 5. A listing of concert events was posted earlier on this board. In addition, the conference will feature a large trade show at which you can meet with representatives of most of the major producers of computing and synthesis hardware and software. If you have questions about registering for the 1989 ICMC, please call the OSU Office of Conferences and Institutes at (614) 292-1301. If you have questions about concerts or about the trade show, please call Thomas Wells at (614) 292-7837. If you have any questions about the paper sessions, please call David Butler at (614) 292-2676. 1989 INTERNATIONAL COMPUTER MUSIC CONFERENCE PRELIMINARY SCHEDULE OF PAPER AND PANEL SESSIONS Thursday, November 2 MORNING Special Installation all day Wexner Choral Rehearsal Room by Gilles Sivilotto, Jean Schmutz, Jean-Yves Postma, Jean-Louis Garcin PAPER SESSION ON COMPOSITION 9:00 - 11:30 Ohio Union Conference Theater 9:00 Jonathan Berger: A Theory of Musical Ambiguity 9:30 Malcolm C. Harrison, Suzanne Haig, and Gershon Horowitz: A Shortest- Path Algorithm for Musical Harmony 9:50 Peter Beyls: The Musical Universe of Cellular Automata Break, 10:10-10:30 10:30 J.P. Lewis: Algorithms for Music Composition by Neural Nets: Improved CBR Paradigms 10:50 Gregory J. Sandell: Perception of Concurrent Timbres and Implications for Orchestration 11:10 Marilyn Taft Thomas, Siddhartha Chatterjee, and Mark W. Maimone: Cantabile: A Rule-Based System for Composing Melody AFTERNOON PLENARY SESSION 1:00 - 2:30 Weigel Hall Auditorium Paul Lansky, Keynote Speaker STUDIO REPORTS I 3:00 - 5:00 Ohio Union Conference Theater 3:00 JoAnn Kuchera-Morin, Dan Timis: Recent Developments at The Center for Computer Music Composition 3:20 Bruce Pennycook: Computer Applications in Music at McGill University 3:40 Charles Dodge and Curtis Bahn: Studio Report for The Center For Computer Music at Brooklyn College 4:00 Adolfo Nunez: The Computer and Electronic Music Studio in the C.D.M. C. Madrid 4:20 Michael Century: The Banff Centre Media Arts Program--Studio Report and Artistic Retrospective 4:40 Nicola Bernardini and Peter Otto: Studio Report: Tempo Reale 5:00 George Cisneros Computer Music at the Urban-15 Project Demonstrations I 3:00 - 5:30 Ohio Union East Ballroom 3:00 Jean-Baptiste Barriere, Adrian Freed, Pierre-Francois Baisnee, & Marie- Dominique Baudot: A Digital Signal Multiprocessor and its Musical Application 3:30 Bridget Baird, Donald Blevens, and Noel Zahler: The Artificially Intelligent Computer Performer on the Macintosh II and a Pattern Matching Algorithm for Real-Time Interactive Performance 4:00 Daniel Oppenheim: Dmix: An Environment for Composition 4:30 Max Mathews, Bob Boie, and Andy Schloss: The Radio Drum as a Synthesizer Controller 5:00 David Keane and Peter Gross: The MIDI Baton POSTER SESSION I 3:30 - 5:00 Ohio Union Terrace Lounge 3:30-4:15 John Roeder and Keith Hamel: A General-Purpose Object-Oriented System for Musical Graphics [first presentation] 3:30-4:15 Rodney Waschka II and Alexandra Kurepa: Using Fractals in Timbre Construction: An Exploratory Study [first presentation] 3:30-4:15 Peter Bowcott: Cellular Automation as a Means of High Level Compositional Control of Granular Synthesis [first presentation] 3:30-4:159 Ian Bowler, Peter Manning, Alan Purvis, and Nick Bailey: A Transputer-Based Additive Synthesis Implementation [first presentation] 4:15-5:00 Heinrich Taube: Common Music: A Compositional Language in Common Lisp and CLOS [first presentation] 4:15-5:00 Keiji Hirata and Tatsuya Aoyagi:Music Server[first presentation] 4:15-5:00 G. Borin, G. DePoli, and A. Sarti: A Modular Approach to Excitator Resonator Interaction in Physical Models Synthesis 4:15-5:00 Brian Schmidt: Designing Sound Tracks for Coin-op Games or 'Computer Music for Under $65.00' [first presentation] Special Session 3:00-4:30 Ohio Union Conference Theater Richard Ashley: Computer-Based Learning: Models and Lessons for Computer Music Systems Friday, November 3 MORNING Special Installation all day, Wexner Choral Rehearsal Room by Gilles Sivilotto. Jean Schumtz, Jean-Yves Postma, Jean-Louis Garcin Mock-C Tutorial 10:00-12:00, East Ballroom Demonstration Room by Roger Dannenberg and Gary Lee Nelson PAPER SESSION ON SIGNAL PROCESSING 9:00 - 10:20 Ohio Union Conference Theater 9:00 David Rivas, Steve Watkins and Paul Chau: VLSI for a Physical Model of Musical Instrument Oscillations 9:20 Edward Pearson and R. G. Wilson: A Multiresolution Signal Representation and its Application to the Analysis of Musical Signals 9:40 Frederic Boyer and Richard Kronland-Martinet: Granular Resynthesis and Transformation of Sounds Through Wavelet Transform Analysis 10:00 Jean Laroche and Xavier Rodet: The Use of Prony's Method for the Analyis of Musical Sounds. Application to Percussive Sounds Break, 10:20-10:40 Special Demonstration 10:00 - 10:30 Sound Synthesis Studios (121 Lord Hall) Doug Karl: Demonstration of a SCSI-->AES/EBU Conversion System PAPER SESSION ON PERFORMANCE 10:40 - 12:00 Ohio Union Conference Theater 10:40 Arne Eigenfeldt: ConTour: A Real-time Midi System Based on Gestural Input 11:00 H. Morita, S. Ohteru, and S. Hashimoto: Computer Music System Which Follows a Human Conductor 11:20 Tod Machover and Joseph Chung: Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems 11:40 Peter Desain, Henkjan Honing, and Klaus de Rijk: JA Connectionist Quantizer AFTERNOON Special Presentation 3:00 - 4:30 Ohio Union Conference Theater Craig Harris: Artistic Necessity; Context Orientation; Configurable Space Demonstrations II 1:30 - 5:30 Ohio Union East Ballroom 1:30 George W. Logemann: Experiments with a Gestural Controller 2:00 W. F. McGee and Paul Merklee: Real-time Acoustic Analysis of Polyphonic Music 2:30 Gary Lee Nelson: Algorithmic Approaches to Interactive Composition 3:00 Perry R. Cook: Singing Synthesis Using a Physically Parameterized Vocal Tract Model 3:30 Glendon R. Diener: Nutation: Structural Organization versus Graphical Generality In A Common Music Notation Program 4:00 Leonello Tarabella and Graziano Bertini: A Digital Signal Processing System and a Graphic Editor for Synthesis Algorithms 4:30 Wayne Siegel: "Netvaerk," an Experiment in Live Composition 5:00 Adrian Freed: New Media for Musicological Research and Education-- The Country Blues in HyperMedia POSTER SESSION II 1:30 - 3:00 Ohio Union Terrace Lounge 1:30-2:15 Ichiro Fujinaga, Bo Alphonce, Bruce Pennycook, and Natalie Boisvert: Issues in the Design of an Optical Music Recognition System [first presentation] 1:30-2:15 Ric Ashley: A Computer System for Learning Analytic Listening [first presentation] 1:30-2:15 Haruhiro Katayose, T. Fukuoka, K. Takami and S. Inokuchi: Music Interpreter in the Kansei Music System [first presentation] 1:30-2:15 Rodney Waschka II and Alexandra Kurepa: Using Fractals in Timbre Construction: An Exploratory Study [second presentation] 2:15-3:30 John Roeder and Keith Hamel: A General-Purpose Object-Oriented System for Musical Graphics [second presentation] 2:15-3:30 Peter Bowcott: Cellular Automation as a Means of High Level Compositional Control of Granular Synthesis [second presentation] 2:15-3:30 Ian Bowler, Peter Manning, Alan Purvis, and Nick Bailey: A Transputer-Based Additive Synthesis Implementation [second presentation] 2:15-3:30 Heinrich Taube: Common Music: An Object Oriented Compositional Language in Common Lisp and CLOS [second presentation] POSTER SESSION III 3:30 - 5:00 Ohio Union Terrace Lounge 3:30-4:15 Michel Naranjo: Musical Paste and Geometric Image Modelling 3:30-4:15 Keiji Hirata and Tatsuya Aoyagi: Music Server [first presentation] 3:30-4:15 Uri Shimony, Noam Elroy, and Ehud Hamami: LZW Compression of Musical Files [first presentation] 3:30-4:15 Julius O. Smith III: Unit-Generator Implementation on the NeXT DSP Chip [first presentation] 3:30-4:15 Ron Kuivila and David P. Anderson: Programming Language Constructs for Parallel Musical Computations [first presentation] 4:15-5:00 Bill Walker: KIWI: A Parallel System for Software Sound Synthesis [first presentation] 4:15-5:00 G. Borin, G. DePoli, and A. Sarti: A Modular Approach to Excitator - Resonator Interaction in Physical Models Synthesis 4:15-5:00 Brian Schmidt: Designing Sound Tracks for Coin-op Games or 'Computer Music for Under $65.00' [second presentation] 4:15-5:00 Sever Tipei: Manifold Compositions: A (Super)Computer-Assisted Composition Experiment In Progress [first presentation] STUDIO REPORTS II 3:00 - 5:00egrep: regular expression too long (NSTATES) [1] Done calendar Ohio Union Conference Theater 3:00 Russell F. Pinkston: The Accelerando Project 3:20 Markus Freericks, CAMP; Berlin 3:40 James Beauchamp: The Computer Music Studio at the University of Illinois at Urbana-Champaign: 1989 4:00 Justin Shuttleworth and Mike Greenhough: Music Processing by Transputer Networks at the Electronic Music Studio in Cardiff 4:20 David Wessel, Richard Felciano, Adrian Freed, and John Wawrzynek: The Center for New Music and Audio Technologies 4:40 Wayne Siegel: DIEM; Studio Report Saturday, November 4 MORNING PAPER SESSION ON REPRESENTATION 9:00 - 10:10 Ohio Union Conference Theater 9:00 Roger B. Dannenberg and Christopher Lee Fraley: Fugue: Composition and Sound Synthesis With Lazy Evaluation and Behavioral Abstraction 9:30 David Huron: Characterizing Musical Textures 9:50 Stephen T. Pope: Modeling Musical Structures as EventGenerators Break, 10:10 - 10:30 PANEL SESSION: 10:30 - 12:00 Ohio Union Conference Theater The Influence of the Computer on the Creative Process AFTERNOON Special Installation 1:30-3:30 Wexner Instrumental Rehearsal Room 1:30 & 2:30 Kristi A. Allik and Robert C.F. Mulder: "Pentaprism": A Real Time Interactive Audio Visual Environment Demonstrations III 1:30 - 5:00 Ohio Union East Ballroom 1:30 Nicola Bernardini and Peter Otto: TRAILS: An Interactive System for Sound Location 2:00 Brian Evans: Enhancing Scientific Animations with Sonic Maps 2:30 Dexter Morrill and Perry Cook: Hardware, Software and Compositional Tools for a Real Time Improvised Solo Trumpet Work 3:00 Mikael Laurson and Jacques Duthen: Patchwork, a graphical language in PREFORM 3:30 Peter S. Langston: Six Techniques for Algorithmic Music Composition 4:00 Keith Lent and Peter Silsbee: A Real Time Computer Music Synthesis System Based on the Motorola 56001 4:30 Gregory Kramer, Robert Moog and Alan Peevers: The Hybrid: A Music Performance System with Extensive Touch Sensitivity and Real-Time Signal Processor Control POSTER SESSION IV 1:30 - 3:00 Ohio Union Terrace Lounge 1:30-2:15 Ichiro Fujinaga, Bo Alphonce, Bruce Pennycook, and Natalie Boisvert: Issues in the Design of an Optical Music Recognition System [second presentation] 1:30-2:15 Richard Ashley: A Computer System for Learning Analytic Listening [second presentation] 1:30-2:15 Haruhiro Katayose, T. Fukuoka, K. Takami and S. Inokuchi: Music Interpreter in the Kansei Music System [second presentation] 1:30-2:15 Sever Tipei: Manifold Compositions: A (Super)Computer-Assisted Composition Experiment In Progress [second presentation] 1:30-2:15 Michel Naranjo: Musical Paste and Geometric Image Modelling [second presentation] 2:15-3:00 Uri Shimony, Noam Elroy, and Ehud Hamami: LZW Compression of Musical Files [second presentation] 2:15-3:00 Julius O. Smith III: Unit-Generator Implementation on the NeXT DSP Chip [second presentation] 2:15-3:00 Ron Kuivila and David P. Anderson: Programming Language Constructs for Parallel Musical Computations [second presentation] 2:15-3:00 Bill Walker: KIWI: A Parallel System for Software Sound Synthesis [second presentation] Special Session on Music Representation 2:00 - 5:00 Ohio Union Conference Theater Session Chair: Craig Harris 2:00-3:15 Charles Goldfarb, Steven Newcomb, Donald Sloan, Garrett Bowles, and Alan Talbot: Precis of the Standard Music Description Language 3:15-3:30 Break 3:30-4:45 Guy E. Garnett, Roger Dannenberg, Lonnette Dyer, Stephen Pope, and Curtis Roads: Meta-Issues in Music Representations 4:45-5:00 Open Discussion General Membership Meeting 5:15-6:00 of the Computer Music Association Ohio Union Conference Theater Sunday, November 5 PAPER SESSION ON SYSTEMS ARCHITECTURE 9:00 - 10:20 Ohio Union Conference Theater 9:00 David A. Jaffe: Overview of the NeXT Music Kit 9:20 Yann Orlarey and Herve Lequay: MIDI SHARE: A Real-Time Multi-Tasks Software Module for MIDI Applications 9:40 Frode Holm: Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems 10:00 Daniel Steinberg and Tim Learmont: The Multi-Media File System Break, 10:20 - 10:40 PAPER SESSION ON SYNTHESIS METHODS 10:40 - 12:20 Ohio Union Conference Theater 10:40 Mark Rudolph: On the Use of Cepstral Representation in a Synthesis from Reduced Performance Information 11:00 Xavier Serra and Julius O. Smith: Spectral Modeling Synthesis 11:20 Mark Medovich: Demodulated Vector Quantization (DVQ), and Real Time Music Synthesis via DVQ Codebooks 11:40 P. Dutilleux: Spinning the Sounds in Real-Time 12:00 Douglas Scott: A Processor for Locating Stationary and Moving Sound Sources in a Simulated Acoustical Environment (Conference ends, 12:20 p.m.) -- Good health is merely the slowest rate at which one can die.