Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!iuvax!cica!tut.cis.ohio-state.edu!bloom-beacon!mit-eddie!daemon From: adams@BOSCO.BERKELEY.EDU (Jeffrey P. Adams) Newsgroups: rec.music.gaffa Subject: Re: Jane Siberry Message-ID: <1989Nov6.201453.23803@agate.berkeley.edu> Date: 6 Nov 89 21:45:37 GMT Sender: usenet%agate.Berkeley.EDU@ucbvax.Berkeley.EDU (USENET Administrator;;;;ZU44) Reply-To: adams%bosco.Berkeley.EDU@ucbvax.Berkeley.EDU (Jeffrey P. Adams) Distribution: na Organization: UC Berkeley Math Dept Lines: 21 Approved: nessus@eddie.mit.edu >>In most moods I consider NBH her best, with JS and TSS tied for second. > >I'm glad someone has mentioned NBH (there's been a lot of recent Jane postings >and most seem to imply that The Walking is her best (I have it, but never >listen too it - I find it quite boring). NBH is definitely my fave Jane. Not >one bad tune - and those twisted lyrics! Speaking of twisted lyrics on NBH, can anyone help me decipher the pseudo-title track, Dancing Class? What's this business with Berlin (& the German girl) and being 200 years old, and what do politics and dancing have to do with each other? I don't get it. And does everyone agree that "Mimi on the Beach" is a more-or- less religious call-to-repentance focusing on pride? With the "great Leveler" a reference to Christ? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Jeff Adams adams@math.berkeley.edu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~