Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!tut.cis.ohio-state.edu!snorkelwacker!mit-eddie!daemon From: CCJS@cc.nu.OZ.AU (James Smith) Newsgroups: rec.music.gaffa Subject: Re: Watching You Without Me Message-ID: <8911130853.8033@munnari.oz.au> Date: 13 Nov 89 08:57:56 GMT Sender: daemon@eddie.mit.edu (Mr Background) Organization: MIT Lines: 34 Approved: nessus@eddie.mit.edu Path: cc!ccjs From: CCJS@cc.nu.oz (James Smith) Newsgroups: rec.music.gaffa Subject: Re: Watching You Without Me Message-ID: <11168@cc.nu.oz> Date: 13 Nov 89 19:52:08 -1000 References: <8911072228.13166@munnari.oz.au> <1989Nov8.143600.18012@eddie.mit.edu> Organization: University of Newcastle Lines: 24 Don't ignore don't ignore me, let me in and don't be long. Jon Drukman writes: > However, this answer is > totally unsatisfactory! Where the KBC claims the last phrase is > "and don't be long" the music seems to have an extra syllable that > just can't be accounted for with this ridiculous phrase! In Joe's > theory, the wording was "I'm alone here now" - the problem is that > "alone" has the nice unstressed/stressed pattern that the music has, > and "and don't" doesn't have enough syllables to cover. Try stretching the 'me' to two syllables. It works. Jim P.S. No offence meant. I have a terrible habit of playing devil's advocate. -- James Smith | When a man fell into his anecdotage Computing Centre | it was a sign for him to retire from Newcastle University | the world. ccjs@cc.nu.oz.au | -- Benjamin Disraeli