Path: utzoo!attcan!utgpu!jarvis.csri.toronto.edu!mailrus!wuarchive!cs.utexas.edu!rutgers!mit-eddie!daemon From: greg@BEACH.CIS.UFL.EDU (Greg O'Rear) Newsgroups: rec.music.gaffa Subject: The laugh Message-ID: <21229@uflorida.cis.ufl.EDU> Date: 15 Nov 89 15:11:57 GMT References: <625@halley.UUCP> Sender: news@bikini.cis.ufl.edu Reply-To: greg@beach.cis.ufl.edu () Organization: UF ISE Department Lines: 24 Approved: nessus@eddie.mit.edu In article <20699@mimsy.umd.edu> dbk@MIMSY.UMD.EDU (Dan Kozak) writes: >It always seemed "obvious" to me that the laugh was a reaction to the >"Yeah!." It just sounds like she was ad libbing along and inserted >the "yeah" w/o thinking and then laughed at the siliness of it. The >long pause is easily attributed (by anyone whoses spent much time in >the studio) to the "keep-quiet-at-the-end-of-the-take-so-the-editing- >will-be-easier" ethos. Well, it seemed obvious to me that the laugh was a separate event, unrelated to any song on the album, that occurred spontaneously. The song "Get It" on Paul McCartney's "Tug Of War" features Carl Perkins, and at the end of the song, he gives a nice long laugh, apparently enjoying the duet with Paul. The story goes, though, that it was spliced onto the end of the song, and was in fact Carl's response to a particularly dirty joke Paul told him. Perhaps something similar happened with Kate. Maybe, for whatever reason, she laughed, it was recorded, and she decided to put it on the album for the hell of it. Maybe (gasp) she was just having fun! -- Greg O'Rear Industrial and Systems Engineering Department, University of Florida Address: greg@beach.cis.ufl.edu