Path: utzoo!utgpu!jarvis.csri.toronto.edu!mailrus!wuarchive!gem.mps.ohio-state.edu!ctrsol!lll-winken!arisia!sgi!shinobu!odin!horus!thant From: thant@horus.sgi.com (Thant Tessman) Newsgroups: comp.graphics Subject: Re: Color perception (Was another @#*! VGA article) Message-ID: <1503@odin.SGI.COM> Date: 17 Nov 89 16:51:43 GMT References: <18219@watdragon.waterloo.edu> <824@uwm.edu> <391@ucsvc.ucs.unimelb.edu.au> <3667@celit.fps.com> Sender: news@odin.SGI.COM Reply-To: thant@horus.sgi.com (Thant Tessman) Organization: Silicon Graphics, Inc. Lines: 42 In article <18219@watdragon.waterloo.edu>, rsingh1@dahlia.waterloo.edu writes: > So.. What was this all started by? 64 shades of grey enough? > > Ok. First, people talk about bits and things, but you have to understand > that the human body is analog, and organic. Which means that in some > situations, it is more responsive to certain things than at others. > Actually, the human brain isn't really analog or digital in the sense that humans like to think when they build machines. Inputs into a neuron are 'digitized' in the sense that the neuron either fires or it doesn't. (This seems to be a very important trick for maintaining signal quality.) The information transmitted is contained in the rate at which cells fire. In this sense the brain is (sort of) analog. I don't know if someone has come out and stated it outright yet, but the eye is not only not very good at telling the difference between absolute brightness levels, but it doesn't even seem like it tries to be. What the eye does very well is judge relative changes in brightness (and colors) and turn that information into edges and surfaces. This makes sense because the important information to gather from the environment is information independent of the lighting conditions. So if one block at a certain brightness is shown next to *but not touching* another block at a different brightness, the eye will be much less sensitive to the difference in brightnesses. If, however, they are touching, it is easy to see very small differences in brightness as a line running between them. I'm pretty sure (although I have no proof) that the people who make claims like "64 shades of grey are enough" are doing the first kind of test, not the second. It is possible to tell a difference between an image using 36 bits of color and the same image using 24 bits of color, let alone the difference between a 6 bit and an 8 bit monochrome image. thant -------------------- There are 336 dimples on the standard golf ball.