Path: utzoo!attcan!utgpu!jarvis.csri.toronto.edu!mailrus!cs.utexas.edu!usc!apple!genbank!agate!codon1.berkeley.edu!ladasky From: ladasky@codon1.berkeley.edu (John Ladasky;1021 Solano No. 2;528-8666) Newsgroups: comp.music Subject: Re: What is perfect pitch? Message-ID: <1989Nov29.194214.14160@agate.berkeley.edu> Date: 29 Nov 89 19:42:14 GMT References: <18807@kuhub.cc.ukans.edu> <365@bbxsda.UUCP> <1989Nov27.212927.3253@agate.berkeley.edu> <7051@portia.Stanford.EDU> <357@quad.uucp> Sender: usenet@agate.berkeley.edu (USENET Administrator;;;;ZU44) Reply-To: ladasky@codon1.berkeley.edu.UUCP (John Ladasky) Organization: University of California, Berkeley Lines: 17 In article <357@quad.uucp> dts@quad.uucp (David T. Sandberg) writes: [...] >However, if someone knows good techniques for practicing absolute pitch >identification, I'm not adverse to trying them. Perfect pitch certainly >wouldn't be a great hindrance. ;') > I simply became accustomed to hearing certain pieces of music in certain keys. Eventually, I found that I could sing a piece in the same key in which I had heard it without any accompaniment. For a few years, certain pitches would remain associated with certain pieces of music, but eventually, I could identify the pitches by themselves. T CROSS POLICE LINE DO NOT CROSS POLICE LINE DO NOT CROSS POLICE LINE DO NOT CR _______________________________________________________________________________ "Do unto others as you would like - John J. Ladasky ("ii") to do unto them. " Richard Bach (ladasky@enzyme.berkeley.edu) Brought to you by Super Global Mega Corp .com