Path: utzoo!utgpu!jarvis.csri.toronto.edu!clyde.concordia.ca!uunet!shelby!portia!Belarius From: alderson@Belarius (Rich Alderson) Newsgroups: alt.sex Subject: Re: R. A. Heinlein Message-ID: <8289@portia.Stanford.EDU> Date: 16 Jan 90 23:16:42 GMT References: <1989Dec20.084239.15805@athena.mit.edu> <89361.131209KJCOLE@AUVM.BITNET> <1989Dec28.051700.19960@polyslo.CalPoly.EDU> Sender: USENET News System Reply-To: alderson@jessica.stanford.edu (Rich Alderson) Organization: Stanford University Academic Information Resources Lines: 33 In-reply-to: apippin@polyslo.CalPoly.EDU (Pinhead@Spikes.slo.ca.EDU) In article <1989Dec28.051700.19960@polyslo.CalPoly.EDU>, apippin@polyslo (Pinhead@Spikes.slo.ca.EDU) writes: >KJCOLE@AUVM.BITNET writes: >~The problem with Heinlein is that, even when he tries, he only ends up being >~condesending. I mean, his attitude towards his female characters always >~seems to be "Gosh! She's beutiful AND bright!!! What an unusual phenomenon!" >~It is taken for granted that his male characters are all super-heroes and >~God's gift to women. But the women in his books always come across as >~rarities. >Hmmm. If you are thinking about 'Friday!', perhaps you are right. But what >about the females in 'Time Enough For Love'? Yes they are gorgeous (sp?), but >that is not stressed too much. And what about the older lady in 'Number of >the Beast'? > >Could you point out some instances where you get this impression, perhaps you >are right.... Well, in RAH's early work--all that really counts, in my not-so-damn-humble opinion--his attitude was generally one of women as the superior bunch, with most men too blind/oversexed/stupid/male to notice. Some folks find this to be condescending towards women; I always thought that he was celebrating the joys of being a two-sexed species. He and I are doubt- less the children of our (respective) times. NB: I have never forgiven the Panshin's for their comments about his inability to write about sex, because they just made him prove it. The explicit sex in _I Will Fear No Evil_, _Time Enough for Love_, et al., is pretty pedestrian; the romance of the honeymoon scenes in _The Puppet Masters_ is much to be preferred. Rich Alderson alderson@jessica.stanford.edu