Path: utzoo!attcan!uunet!snorkelwacker!mit-eddie!SGI.COM!portuesi%tweezers.esd@SGI.COM
From: portuesi%tweezers.esd@SGI.COM (Michael Portuesi)
Newsgroups: rec.music.gaffa
Subject: Re: The Laugh
Message-ID: <9003151804.AA17054@tweezers.esd.sgi.com>
Date: 15 Mar 90 18:04:54 GMT
Sender: daemon@eddie.mit.edu (Mr Background)
Reply-To: portuesi@sgi.com (Michael Portuesi)
Organization: Love-Hounds Anonymous
Lines: 37
Approved: nessus@eddie.mit.edu


>>>>> On 14 Mar 90 02:28:00 GMT, CCJS@cc.nu.OZ.AU (James Smith) said:

> I can't see this being sorted out until Kate actually says where it
> belongs.
> Jim


I think if you actually asked Kate, she'd give you one of her classic
evasive answers.  That's because I'm convinced she's deliberately
playing with us by attaching the laugh to L&A sometimes, but not all
the time.

Let's take count:


	WITH L&A			NOT WITH L&A
	--------			------------
	American TSW CD			British TSW CD
	British L&A 12" single		British L&A CD single
					American L&A promo CD single
					CMV L&A video
					
What about "Aspects of the Sensual World?"  Does the laugh appear
there?

			    |
BTW, I somewhat agree with \|on about "Ken".  The music is certainly
nothing to write home about; if you ever wanted to hear what a cheap
pop tune written by Kate Bush would sound like, this is it.  But the
vocals are quite wonderful.  I didn't really think much of "The
Confrontation".  It sounded like somebody making strange sounds on a
Fairlight.  "One Last Look...." was a very pretty piece, but
unfortunately only a minute long.


				--M