Path: utzoo!censor!geac!torsqnt!news-server.csri.toronto.edu!cs.utexas.edu!usc!chaph.usc.edu!nunki.usc.edu!alves From: alves@nunki.usc.edu (William Alves) Newsgroups: comp.music Subject: Re: dancing midi Message-ID: <9003@chaph.usc.edu> Date: 9 Apr 90 16:35:31 GMT References: <1542@amethyst.math.arizona.edu> <3154@astroatc.UUCP> <7710@hydra.gatech.EDU> Sender: news@chaph.usc.edu Organization: University of Southern California, Los Angeles, CA Lines: 19 Mark Coniglio at the California Institute of the Arts (Cal-Arts) in Valencia has developed a series of accelerometers which are placed on a dancer's body. When the dancer moves that part of the body in a particular axis of motion, a MIDI signal is sent over radio control to a computer. His Mac-based soft- ware listens for particular signals and can react by simply routing that MIDI signal to the appropriate module, or may react by playing a pre-stored sequence, or may react in a number of different ways. The signal sent from the dancer may be tuned to a particular MIDI message, and the velocity or controller amount may be proportional to the strength of the movement. The sensors on the dancer's body, it should be noted, are *motion*, not *location*, detectors. That is, a dancer does not trigger it by finding a particular point in absolute space, but by moving a certain way at any place. I saw a demo of this system with a piece composed by Coniglio at Cal-Arts a week ago Sunday. He didn't have all the hardware running as smoothly as he wanted, but is planning a new version with smaller and more robust hardware and cleaner radio transmitters. Bill Alves USC School of Music / Center for Scholarly Technology