Path: utzoo!attcan!uunet!cs.utexas.edu!uwm.edu!uwvax!astroatc!vidiot!trek-info-request@scam.Berkeley.EDU
From: brown@vidiot.UUCP (Vidiot)
Newsgroups: rec.arts.startrek.info
Subject: Program guide update: sttng308d  (part 4 of 4)
Keywords: program guide update
Message-ID: <508@vidiot.UUCP>
Date: 5 Jun 90 03:22:51 GMT
Sender: brown@vidiot.UUCP
Reply-To: brown@vidiot.UUCP (Vidiot)
Followup-To: rec.arts.startrek
Organization: Starfleet Command Information Center
Lines: 1145
Approved: griffith@scam.berkeley.edu
Distribution:


---- Cut Here and unpack ----
#!/bin/sh
# this is part 4 of a multipart archive
# do not concatenate these parts, unpack them in order with /bin/sh
# file sttng308d continued
#
CurArch=4
if test ! -r s2_seq_.tmp
then echo "Please unpack part 1 first!"
     exit 1; fi
( read Scheck
  if test "$Scheck" != $CurArch
  then echo "Please unpack part $Scheck next!"
       exit 1;
  else exit 0; fi
) < s2_seq_.tmp || exit 1
echo "x - Continuing file sttng308d"
sed 's/^X//' << 'SHAR_EOF' >> sttng308d
X  	Tom Benko	151, 154, 157, 160, 163, 166, 169
X+ 	Daryl S.Baskin	171
X+ 	Howard S. Deane, \s-2C.A.S.\s0	172
X  Unit Production Manager	Merri D. Howard
X! First Assistant Director	Brad Yacobian	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 169, 171
X! 	Chip Chalmers	150, 152, 154, 156, 158, 160, 164, 170, 172
X  	Bruce Alan Solow	166
X***************
X*** 269,271 ****
X  	Adele G. Simmons	162
X! Second Assistant Director	Adele G. Simmons	149\-161, 164\-170
X  	Jeff Cline	162
X--- 272,274 ----
X  	Adele G. Simmons	162
X! Second Assistant Director	Adele G. Simmons	149\-161, 164\-172
X  	Jeff Cline	162
X***************
X*** 274,278 ****
X  Starfleet Uniforms Created By	William Ware Theiss	149, 151, 153, 155, 157, 159, 161, 163\-166
X! Original Starfleet Uniforms	William Ware Theiss	150, 152, 154, 156, 158, 160, 162, 167\-170
X! Visual Effects Supervisor	Dan Curry	149, 151, 153, 155, 157, 159, 161, 163, 165, 167
X! 	Robert Legato	150, 152, 154
X  	Rob Legato	156, 158, 160, 162, 164, 166, 168
X--- 277,281 ----
X  Starfleet Uniforms Created By	William Ware Theiss	149, 151, 153, 155, 157, 159, 161, 163\-166
X! Original Starfleet Uniforms	William Ware Theiss	150, 152, 154, 156, 158, 160, 162, 167\-172
X! Visual Effects Supervisor	Dan Curry	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 171
X! 	Robert Legato	150, 152, 154, 172
X  	Rob Legato	156, 158, 160, 162, 164, 166, 168
X***************
X*** 294,297 ****
X  Special Effects	Dick Brownfield
X! Property Master	Joe Longo	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 169
X! 	Alan Sims	150, 152, 154, 156, 158, 160, 162, 164, 166, 168, 170
X  Construction Coordinator	Al Smutko
X--- 297,300 ----
X  Special Effects	Dick Brownfield
X! Property Master	Joe Longo	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 169, 171
X! 	Alan Sims	150, 152, 154, 156, 158, 160, 162, 164, 166, 168, 170, 172
X  Construction Coordinator	Al Smutko
X***************
X*** 298,300 ****
X  Hair Designer	Vivian McAteer
X! Hair Stylist	Barbara Lampson	149\-158, 160, 162, 164\-170
X  	Tim Jones	159, 161
X--- 301,303 ----
X  Hair Designer	Vivian McAteer
X! Hair Stylist	Barbara Lampson	149\-158, 160, 162, 164\-172
X  	Tim Jones	159, 161
X***************
X*** 304,307 ****
X  Production Associate	Susan Sackett
X! Visual Effects Coordinator	Ron Moore	149, 151, 153, 155, 157, 159, 161, 163, 165, 167
X! 	Gary Hutzel	150, 152, 154, 156, 158, 160, 162, 164, 166, 168
X  Production Coordinator	Diane Overdiek
X--- 307,310 ----
X  Production Associate	Susan Sackett
X! Visual Effects Coordinator	Ron Moore	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 171
X! 	Gary Hutzel	150, 152, 154, 156, 158, 160, 162, 164, 166, 168, 172
X  Production Coordinator	Diane Overdiek
X***************
X*** 317,321 ****
X  .ne 7
X! Costumers	Camille Argus	149, 152, 154, 157, 160, 163, 166, 169
X! 	Amanda Chamberlin	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 169
X! 	Kimberley Thompson	150, 153, 156, 159, 162, 165, 168
X  	David Velasquez	150, 152, 154, 156, 158, 160
X--- 320,324 ----
X  .ne 7
X! Costumers	Camille Argus	149, 152, 154, 157, 160, 163, 166, 169, 172
X! 	Amanda Chamberlin	149, 151, 153, 155, 157, 159, 161, 163, 165, 167, 169, 171
X! 	Kimberley Thompson	150, 153, 156, 159, 162, 165, 168, 171
X  	David Velasquez	150, 152, 154, 156, 158, 160
X***************
X*** 323,325 ****
X  	Chris Jorgensen	161
X! 	David Page	162, 164, 166, 168, 170
X  Visual Effects Associate	David Takemura	162\-
X--- 326,328 ----
X  	Chris Jorgensen	161
X! 	David Page	162, 164, 166, 168, 170, 172
X  Visual Effects Associate	David Takemura	162\-
X***************
X*** 332,334 ****
X  Casting Executive	Helen Mossler
X! Stunt Coordinator	Dennis Madalone	149\-153, 155, 157, 159\-163, 165, 167, 169, 170
X  Assistant Scenic Artist	Cari Thomas
X--- 335,337 ----
X  Casting Executive	Helen Mossler
X! Stunt Coordinator	Dennis Madalone	149\-153, 155, 157, 159\-163, 165, 167, 169\-171
X  Assistant Scenic Artist	Cari Thomas
X***************
X*** 336,338 ****
X  Research Consultant	Richard Arnold
X! Computer Monitors By	Sony Corp. Of America	149, 150, 154, 156\-165, 168, 170
X  Lenses and Panaflex\(rg Cameras By	PANAVISION\(rg
X--- 339,341 ----
X  Research Consultant	Richard Arnold
X! Computer Monitors By	Sony Corp. Of America	149, 150, 154, 156\-165, 168, 170, 172
X  Lenses and Panaflex\(rg Cameras By	PANAVISION\(rg
X*** /tmp/,RCSt1a05950	Mon Jun  4 02:23:50 1990
X--- sttng.G	Mon Jun  4 02:19:22 1990
X***************
X*** 1,2 ****
X! .\" $Header: /usr/brown/startrek/RCS/sttng.G,v 3.7 90/05/10 00:17:31 brown Exp $
X  .ds iX G-
X--- 1,2 ----
X! .\" $Header: /usr/brown/startrek/RCS/sttng.G,v 3.8 90/06/04 02:19:12 brown Exp Locker: brown $
X  .ds iX G-
X***************
X*** 40,42 ****
X  
X! In the recent Baycon in San Jose, there was an STTNG panel which had
X  some interesting info.
X--- 40,42 ----
X  
X! In the recent Baycon in San Jose, there was an ST:TNG panel which had
X  some interesting info.
X***************
X*** 45,47 ****
X  .lp \(bu 12p
X! All of the STTNG sets are in pieces...with only the pieces in the shot
X  assembled.
X--- 45,47 ----
X  .lp \(bu 12p
X! All of the ST:TNG sets are in pieces...with only the pieces in the shot
X  assembled.
X***************
X*** 72,74 ****
X  .lp \(bu 12p
X! Paramount and the STTNG Production Office were aware of the change in the way
X  Star Trek was presented in \f2Conspiracy\f1 (referring to the gore scenes).
X--- 72,74 ----
X  .lp \(bu 12p
X! Paramount and the ST:TNG Production Office were aware of the change in the way
X  Star Trek was presented in \f2Conspiracy\f1 (referring to the gore scenes).
X***************
X*** 92,94 ****
X  .lp \(bu 12p
X! Of all the characters on the STTNG cast, Brent Spiner (as Lt. Cmdr. Data)
X  gets the most fan mail.
X--- 92,94 ----
X  .lp \(bu 12p
X! Of all the characters on the ST:TNG cast, Brent Spiner (as Lt. Cmdr. Data)
X  gets the most fan mail.
X***************
X*** 95,98 ****
X  .lp \(bu 12p
X! Denise Crosby wanted to leave STTNG to pursue other commitments.
X! Because of her commitment to STTNG, she was unable to pursue other offers.
X  (Of course, this did not answer the original question which
X--- 95,98 ----
X  .lp \(bu 12p
X! Denise Crosby wanted to leave ST:TNG to pursue other commitments.
X! Because of her commitment to ST:TNG, she was unable to pursue other offers.
X  (Of course, this did not answer the original question which
X***************
X*** 119,121 ****
X  .br
X! \h'\w'PANELS: 'u' Rick Sternbach, Mamaru Nagano, staff of Animag and Viz
X  .lp \(bu 12p
X--- 119,121 ----
X  .br
X! \h'\w'PANELS: 'u'Rick Sternbach, Mamaru Nagano, staff of Animag and Viz
X  .lp \(bu 12p
X***************
X*** 146,148 ****
X  Since someone asked, Mr. Nagano is the creator and writer for ``Five Star
X! Stories.''
X  Also, he did some mecha design for the ``Gundam'' series...
X--- 146,148 ----
X  Since someone asked, Mr. Nagano is the creator and writer for ``Five Star
X! Stories''.
X  Also, he did some mecha design for the ``Gundam'' series...
X***************
X*** 158,161 ****
X  At the main Holodeck entrance/control panel, there is a panel with 6 (I
X! think) lines of default choices for ``adventures.''
X! Number 3 (the only one I remember) says ``Tomobiki Simulator.''
X  Rick Sternbach's comment after pointing it out was ``Be sure to wear
X--- 158,161 ----
X  At the main Holodeck entrance/control panel, there is a panel with 6 (I
X! think) lines of default choices for ``adventures''.
X! Number 3 (the only one I remember) says ``Tomobiki Simulator''.
X  Rick Sternbach's comment after pointing it out was ``Be sure to wear
X***************
X*** 166,168 ****
X  .br
X! \h'\w'PANEL: 'u' Rick Sternbach
X  .lp \(bu 12p
X--- 166,168 ----
X  .br
X! \h'\w'PANEL: 'u'Rick Sternbach
X  .lp \(bu 12p
X***************
X*** 260,262 ****
X  .lp \(bu 12p
X! Nickname for the Dustbuster Phaser...the ``Dustbuster.''
X  Surprised?
X--- 260,262 ----
X  .lp \(bu 12p
X! Nickname for the Dustbuster Phaser...the ``Dustbuster''.
X  Surprised?
X***************
X*** 268,270 ****
X  Mike Okuda worked out a Warp Factor chart which shows how fast you go
X! which each Warp Factor.
X  Subspace Radio goes along at about Warp 9.9996.
X--- 268,270 ----
X  Mike Okuda worked out a Warp Factor chart which shows how fast you go
X! with each Warp Factor.
X  Subspace Radio goes along at about Warp 9.9996.
X***************
X*** 287,289 ****
X  From \f2Measure of a Man\f1, part of Data's construction is made of something
X! called ``Yurium.''
X  (Yuri-um...)
X--- 287,289 ----
X  From \f2Measure of a Man\f1, part of Data's construction is made of something
X! called ``Yurium''.
X  (Yuri-um...)
X***************
X*** 311,312 ****
X--- 311,314 ----
X  .br
X+ Carol Smith
X+ .br
X  Scott Henry
X***************
X*** 318,319 ****
X--- 320,770 ----
X  .vs 14
X+ Stuff from Baycon 90
X+ .ft 1
X+ .ps 10
X+ .ss 12
X+ .vs 12
X+ .IX "Stuff from Baycon 90"
X+ 
X+ PANEL: ``Next Generation Slide Show''
X+ .br
X+ \h'\w'PANEL: 'u'Rick Sternbach, Mike Okuda
X+ .lp \(bu 12p
X+ Rick Sternbach is the Senior Illustrator.
X+ Mike Okuda is the Graphic Designer.
X+ Both have now \f2acquired\f1 additional titles (an upgrade if you will.
X+ Both are now known as <Old Title>/Technical Consultant.
X+ Well, \f3somebody\f1 has to tell them how Warp Engines work!!  
X+ .lp \(bu 12p
X+ In reference to the above, scripts will now come with lines like the following:
X+ .br
X+ .ti +.5i
X+ Geordi has to fix the warp engines by using the <Tech>.
X+ .br
X+ This is a signal for Rick or Mike to fill in the word
X+ with something...well...techie.
X+ The actual example they used came from the \f2Captain's Holiday\f1 episode.
X+ The writers needed some gizmo that would provide
X+ a motive for some scientist from the 27th century to come to the
X+ 24th century via the 22th century.
X+ Something \f3reallt\f1 big.
X+ Blowing up a planet wasn't big enough.
X+ Well, we all know what eventually came out of this...
X+ .lp \(bu 12p
X+ To provide a source for such techie gadgets, they made up 3 lists.
X+ Call them A, B, and C.
X+ List A and B had adjectives and C had nouns.
X+ Put them together and you'll have a phrase of the form:
X+ .br
X+ .ti +.5i
X+ <Adjective> <Adjective> <Noun>
X+ .br
X+ Gee, with this toy the writers could come up with phrases like:
X+ ``Subspace Compression Modulator''.
X+ Neat, huh?
X+ Pick a word at random from each of the 3 lists, and you'll have a *new* gadget!!
X+ Only one problem now...what do all these gadgets do?
X+ .sp .35v
X+ BTW, if you didn't know, \f2Captain's Holiday\f1 had a ``Quantum Phase
X+ Inverter''.
X+ It...uh...well...did something to stars...yeah,
X+ made them go nova...that's the ticket!! :-)
X+ (The writer's reaction: ``Is that a joke?''
X+ The Response: ``Of course it is!!  Put it in the movie!!'')
X+ .lp \(bu 12p
X+ Rick does \f3not\f1 like doing storyboards, and doesn't...even though it's
X+ in his union contract...the Production Staff have learned not to
X+ give them to him... :-)
X+ .lp \(bu 12p
X+ Differences between Set Decoration and Props: if a character interacts
X+ with it (e.g. pick it up), it's a prop.
X+ Otherwise Set Decoration takes care of it.
X+ .lp \(bu 12p
X+ From \f2Me\*'nage a\*` Troi\f1, there is an audio anime joke...listen to what
X+ happens when a Ferengi is talking.
X+ No, I don't know what it is...but I'll follow up later after I've seen it!!
X+ (\f2Me\*'nage a\*` Troi\f1 has not yet been shown at the time of this writing).
X+ .lp \(bu 12p
X+ Alternative title for \f2Me\*'nage a\*` Troi''...``This is Troi's Brain''.
X+ (My \f3immediate\f1 response: ``This is Troi's Brain on drugs...any 
X+ questions?'' :-) )
X+ .lp \(bu 12p
X+ The canonical answer to why there are no cloaking devices on board
X+ any Federation ship.
X+ They've found that cloaking devices don't
X+ work with the geometry of the starships shape.
X+ It has to do with where the Deflector Emitters are on the hull relative
X+ to each other and does not allow for that kind of field manipulation.
X+ .bp
X+ Why did the (old) Enterprise work with its stolen one?
X+ Due to Scotty's work.
X+ However, the operation of the cloaking device
X+ blew all of the Deflector Emitters on board the starship...and
X+ replacing them \f3ain't\f1 cheap!!
X+ They had to do it anyway, but
X+ the Enterprise had no shield system for \f3two weeks\f1.
X+ .sp .35v
X+ Current policy at Starfleet is ``Never again...''
X+ .lp \(bu 12p
X+ Why doesn't ST:TNG allow Federation use of cloaking technology anyway?
X+ (Well, they \f3can\f1...after all, it's only a TV show!!)
X+ The real world reason is that it's one of the facets that make the Romulans 
X+ different from the Federation.
X+ Also the fact that any resultant
X+ space battles/warp maneuvers would be boring to watch.
X+ .sp .35v
X+ ``Gee, the invisible Enterprise is taking evasive action away from the
X+ bow of the invisible Romulan ship which bearing down on where the
X+ invisible Enterprise was originally.''
X+ Easy to tape, though... :-)
X+ .sp .35v
X+ Of course, invisible ships \f3do\f1 save money...you could have an entire
X+ fleet of invisible ships out there, and not have to show it.
X+ .lp \(bu 12p
X+ Question to Mike Okuda: ``What's your favorite episode?''
X+ .br
X+ Answer from Mike Okuda: ``Good question''
X+ .lp \(bu 12p
X+ ST:TNG milestones:
X+ .lp \h'12p'\(ci 24p
X+ The 6th episode of season 4 will be the 80th episode made of ST:TNG.
X+ This is the point where they exceed the total number of episodes made
X+ for ST:TOS.
X+ .lp \h'12p'\(ci 24p
X+ The last episode of season 4 will be the 100th episode.
X+ .lp \h'12p'\(ci 24p
X+ The end of season 4 will mark Mike and Rick having the \f3longest\f1
X+ tenure with Star Trek with the exception of Gene Roddenberry
X+ and a couple of other people.
X+ Rick noted that this was a ``scary statistic''.
X+ .lp \(bu 12p
X+ Rick has \f2acquired\f1 something that he definitely \f3didn't\f1 want.
X+ One of his jokes during ST:TNG's first season (might have said it at
X+ Baycon '88...don't remember) was the fact that he didn't want his
X+ headstone to read: ``He Worked on Star Trek''.
X+ .sp .35v
X+ During a modelling session (they were building a Form-Core model),
X+ a Foam-Core headstone appeared at his drafting lamp with the 
X+ inscription: ``He Worked on Star Trek''.
X+ .sp .35v
X+ Mike's immediate reaction: ``I've no idea who did it.''
X+ .lp \(bu 12p
X+ The Enterprise on ST:TNG is NCC-1701D.  The ``D'' stands for David
X+ Lynch, the Line Producer...(well, it \f3could\f1 have been a joke :-))...
X+ .lp \(bu 12p
X+ On the Enterprise Dedication Plaque...``The Fifth Starship to Bear the Name''.
X+ Mike got it from \f2The Blues Brothers\f1 where the movie
X+ said ``Third Bridge at this Site''...
X+ .lp \(bu 12p
X+ Often, human figures are used for scale on preproduction drawings of items.
X+ For \f2Ensigns of Command\f1, who should be leaning on the dam workings?
X+ Why, it's Kei of the Dirty Pair!!
X+ In full color too.
X+ Funny, since two of the dams were just pencil sketches... :-)
X+ .lp \(bu 12p
X+ From \f2Captain's Holiday\f1, the basic design of the pack used by
X+ Picard came from \f2Robinson Crusoe on Mars\f1.
X+ Remember that one?
X+ .lp \(bu 12p
X+ Due to cost constraints, alot of compromise has to be done between
X+ what Rick draws, and what Fabrication can do.
X+ It also means that sets have to be reused as much as possible.
X+ (OK, so this one is a \f2slight\f1 repeat from Baycon '89...).
X+ Compound curves in props is definitely \f3out\f1.
X+ .lp \(bu 12p
X+ The fusion reactor from \f2Who Watches the Watchers\f1 reappeared in
X+ \f2The Vengance Factor\f1 slightly redressed.
X+ Stickers were added to the reactor...with a variety of anime jokes on them.
X+ The camera never got close enough, however...\f3sigh\f1
X+ .lp \(bu 12p
X+ From \f2Booby Trap\f1, the original model in the holodeck was suppose
X+ to be a mockup of the actual inside of a warp engine.
X+ Time (5 days) constraints forced them to be somewhat more modest,
X+ and the sliding panels idea was ultimately used for Geordi's model.
X+ .bp
X+ .lp \(bu 12p
X+ Many items on the drawings are referred to as \f3GNDN\f1.
X+ An example of this is the ``GNDN Engineering Tool'' which appeared on one of
X+ the drawings for miscellaneous tools.
X+ This is a reference to the old series (ST:TOS) where many of the
X+ pipes had \f3GNDN\f1 written on them.
X+ .sp .35v
X+ If you're wondering, \f3GNDN\f1 stands for ``\f3G\f1oes
X+ \f3N\f1owhere...\f3D\f1oes \f3N\f1othing''.
X+ .lp \(bu 12p
X+ From \f2Who Watches the Watchers\f1: the `Snoop Scope' used by the
X+ observation post (it's by the window) is based on the video cameras
X+ used by the TMA-1 team from \f22001: A Space Odyssey\f1.
X+ .lp \(bu 12p
X+ From \f2Hollow Pursuits\f1, the Transporter Test Object used by O'Brien
X+ to show that the transporter isn't working is actually a Navy Sonar
X+ Buoy Transport Case.
X+ For some reason, the ST:TNG production staff has a lot of those...
X+ .lp \(bu 12p
X+ From \f2The Emissary\f1, K'Ehleyr's specially modified probe was a redress
X+ of a photon torpedo tube (ST:TSFS) which in turn was a redress of
X+ Spock's coffin (ST:TWOK).
X+ .lp \(bu 12p
X+ From \f2The Schizoid Man\f1, preproduction drawings of Ira Graves' casket
X+ were shown.
X+ The drawings were credited to ``Casket Concepts'', and the `brochure'
X+ was displaying ``The Starfleet Collection''.
X+ Nobody could figure out, though, why Ira Graves needed a window...
X+ .lp \(bu 12p
X+ A poster of Kei and Yuri actually did appear on Wesley Crusher's wall.
X+ Complete with double stick tape and everything.
X+ David Livingston came onto the set,
X+ took one look at the poster and said: ``Awww, c'mon, you're kidding!!''
X+ Needless to say, the poster came off.
X+ This close, we were \f3this\f1 close... :-) :-)
X+ .lp \(bu 12p
X+ What \f3did\f1 appear in Wesley's quarters were fan-built reproductions of
X+ a phaser and a communicator.
X+ Well, OK, this one was kind of mentioned at Baycon '89 too...
X+ .lp \(bu 12p
X+ From \f2Peak Performance\f1, blue candle wax makes great antimatter...
X+ .lp \(bu 12p
X+ From \f2Measure of a Man\f1, Data's arm was made up of whatever happened
X+ to be lying on Rick's desk at the time...Exacto knives, model parts,
X+ a little R2-D2, etc.
X+ Then they gave it to Mike Westmore.
X+ (Rick \f2was\f1 going to say: ``We gave him a hand...'')
X+ .lp \(bu 12p
X+ The PADDs are those little information pads that everyone carries around.
X+ They have LEDs and chase circuits built in to simulate activity.
X+ An exchange for all you Macintosh people:
X+ .ti +.5i
X+ .br
X+ Rick: ``What do you think the memory capacity of the PADD is?''
X+ .ti +.5i
X+ .br
X+ Mike: ``It's not quite adaquate, but with System 7.0, it'll be ok.''
X+ .lp \(bu 12p
X+ Tricorders have gotten to be very complicated props.
X+ They have a ton of LEDs in there controlled by variable potentiometers (and
X+ probably more chase circuits...they didn't say that though).
X+ They also have a working hinge so that they can really open and close.
X+ .sp .35v
X+ The original Tricorders had a spring loaded mechanism (based on some toy).
X+ When they open or closed, the hinge makes a click-click-click-click noise.
X+ With the new props, the hinges are silent, so the
X+ Sound department is dubbing the clicks back in...
X+ .lp \(bu 12p
X+ Alternative name for \f2Transfigurations\f1...``The Tricorder Venture''.
X+ There is a new design for the Medical Tricorder which is seen first
X+ in this episode...and Beverly Crusher is holding it every other shot...
X+ .sp .35v
X+ In a tribute to the original Trek, \f2maybe\f1 the sound effect for Dr.
X+ McCoy's Feinburger scanner will be used for this new tricorder.
X+ We'll have to see...(at the time of this writing, \f2Transfigurations\f1 has
X+ not yet been shown...)
X+ .lp \(bu 12p
X+ A new phaser has been designed.
X+ It's to replace the ``Dustbuster''.
X+ You get the feeling that somebody didn't like the old design? :-) :-)
X+ .lp \(bu 12p
X+ The Medical Hypo is based on a present day inhaler.
X+ After all, you can spray the inhaler, it has removable cartridges,
X+ and is amazingly useful.
X+ Rick thought that basing the Hypo on his inhaler was a 
X+ \f3great\f1 idea...at least his doctor is thrilled with the design... :-)
X+ .lp \(bu 12p
X+ From the audience: the best common-man description of the Enterprise
X+ that I've ever heard.
X+ It goes something like this:
X+ .in +.5i
X+ .br
X+ The 60's Enterprise looks like it was designed by Chevy.
X+ .br
X+ The 70's Enterprise looks like it was designed by BMW.
X+ .br
X+ The 80's Enterprise looks like it was designed by Mazda.
X+ .lp \(bu 12p
X+ From \f2Evolution\f1, preproduction drawings use Yuri for the scale figure
X+ on the model of Dr. Stubbs' ``Egg''.
X+ Of course, Yuri didn't appear in the episode itself,
X+ but the front of the ``Egg'' \f3is\f1 based on Nanmo's green eye.
X+ Nanmo is the Dirty Pair's robot...
X+ .sp .35v
X+ The ``Egg'' itself was based on the Virus Containment Unit from \f2The Child\f1.
X+ .lp \(bu 12p
X+ The Shuttle Pod has been used extensively in ST:TNG (if you hadn't noticed :-)).
X+ There has been some lobbying from the Art Department
X+ to allow them to start using a full-sized shuttle again, a la 'Galileo'...
X+ .sp .35v
X+ The Shuttle Pod is mounted on wheels, so it is easy to move.
X+ .lp \(bu 12p
X+ From BAYCON '89 and \f2Time Squared\f1, the shuttle was named after a
X+ NASA geologist: Professor Farouk El-Baz.
X+ I had messed up the spelling last year, so I'd thought I'd correct it.
X+ .sp .35v
X+ Something new: when \f2Time Squared\f1 was shown, Prof. El-Baz was at
X+ home with his children.
X+ The kids' response: ``Dad, it's us!!''
X+ Of course, Mike Okuda got a call from Brown University the next morning...
X+ .lp \(bu 12p
X+ Other prominent names for Shuttle Pods:
X+ .ta \w'ONIZUKA 'u
X+ .br
X+ ONIZUKA	\- for Ellison Onizuka of the Challenger Seven.
X+ .br
X+ LEY	\- for Willie Ley (?)
X+ .br
X+ PIKE	\- for Captain Christopher Pike (not John Pike, the president of Paramount Pictures)
X+ .lp \(bu 12p
X+ The \f3law\f1 on starship engines: there are \f2never\f1 odd numbers of engine
X+ nacelles on starships (from Gene).
X+ Rationalization (from the 'Technical Advisors'): it has something
X+ to do with Warp Field geometries...
X+ .lp \(bu 12p
X+ From \f2The Defector\f1, the Romulan Scout has a nose which can detach from
X+ the rest of the ship.
X+ The separated nose can serve as a lifeboat.
X+ .lp \(bu 12p
X+ From \f2Tin Man\f1, the final product was something that looked like a
X+ pine cone, and felt like tree bark.
X+ The model maker added some wood knots to it for some
X+ reason (for the \f2authentic\f1 feel? :-))...
X+ .lp \(bu 12p
X+ From \f2Sins of the Fathers\f1, the shot where there is a data mismatch
X+ between the starship log (the Hood, I think) and the data from the
X+ captured from the Romulan is known as ``The Nixon Shot''.
X+ I wonder why?  :-)
X+ .sp .35v
X+ The actual data was all random numbers...
X+ .lp \(bu 12p
X+ Often, Mike has to design alien type faces.
X+ When doing so, he never assigns an 'A'=, 'B'= match up to his characters.
X+ He's found that if he does so, then from a distance,
X+ his alien typeface looks just like English.
X+ Even he doesn't know what his letters mean, and he prefers it that way...
X+ .lp \(bu 12p
X+ From \f2The High Ground\f1, Mike had to design YAAT (Yet Another Alien Typeface)
X+ for the police display shown on the Enterprise.
X+ When he was done, he realized that he had designed an alien MacIntosh,
X+ complete with windows and a cursor symbol in the middle...
X+ .lp \(bu 12p
X+ The Romulan symbol is a nasty looking bird of prey which is clasping
X+ two glowing spheres in its claws.
X+ The spheres are supposed to represent 
X+ the two central planets of the Romulan Empire.
X+ The logo was actually designed by an Bay Area artist named Monty Thrasher.
X+ Mike tries to put the logo in wherever a Romulan appears...
X+ .lp \(bu 12p
X+ If the Enterprise is looking a bit different now, it's because a new and more
X+ detailed model was introduced sometime in the middle of the third season.
X+ Among other things, the new model accurately represents
X+ where 10-Forward is (the front lip of the saucer section).
X+ .lp \(bu 12p
X+ Something that \f3didn't\f1 make it onto the Bridge Plaque: ``Built by
X+ Yoyodyne Propulsion Systems''.
X+ .lp \(bu 12p
X+ Purposes of the two forward bridge consoles:
X+ .br
X+ CON (Wesley Crusher): Ship's Helmsman and Navigator
X+ .br
X+ OPS (Lt. Cmdr. Data): Operations Manager in change of various nebulous and undefined duties.
X+ .lp \(bu 12p
X+ Audience question (again): ``Why doesn't Worf have a chair?''
X+ Answer this year: The original plan was not to have the Tactical
X+ Station continuously manned.
X+ When the utility of a full time Tactical Officer became obvious,
X+ they put one there.
X+ Denise Crosby has been known for coming up to the Art Department during
X+ the first season, bat her eyelashes and say ``Can you guys design me a chair?''
X+ .lp \(bu 12p
X+ Stations on the rear of the bridge: Mission Operations, Science One,
X+ Science Two, Environmental Systems, and Engineering (Geordi's).
X+ .lp \(bu 12p
X+ There are two little seen doors to the left of the Aft Stations.
X+ One of them goes to the Conference Lounge, and the other one...well, the
X+ sign on the door appears below:
X+ .sp .35v
X+ .TS
X+ box;
X+ r || l.
X+ .sp 2p
X+ \ \ \ \ \ HEAD	01\ \ \ \ \ 
X+ .TE
X+ .sp .35v
X+ Mike: ``...and the other one goes to...''
X+ .br
X+ Rick: ``...goes to a different kind of Conference Lounge...''
X+ .lp \(bu 12p
X+ On the topic of door labels, the sliding doors have signs which 
X+ identify both the room and the deck that it's on in the following form:
X+ .sp .35v
X+ .TS
X+ box;
X+ r || l.
X+ .sp 2p
X+ \ \ \ \ \ TRANSPORTER ROOM\0\0795	12\ \ \ \ \ 
X+ .TE
X+ .sp .35v
X+ This door would lead into room #795: the Transporter Room on Deck 12.
X+ .lp \(bu 12p
X+ The display behind the bar at 10-Forward represents a radio telescope
X+ view of the Milky Way Galaxy edge on.
X+ Designed by Rick Sternbach.
X+ .lp \(bu 12p
X+ On the Enterprise cutaway in Engineering: a duck, a mouse, a DC-3,
X+ a Porsche, a telephone, a stop sign...and the hamster in the treadmill
X+ which actually is the one running the ship.
X+ Ahead warp 8, Mr. Crusher!!
X+ .lp \(bu 12p
X+ The Star Trek Technical Manual has been approved by Pocket Books for
X+ release in the Fall (1990).
X+ Now, if only Rick and Mike will write it...
X+ .lp \(bu 12p
X+ The reflected stars on the Conference Table (especially the streaking
X+ stars which appear both in the windows and on the table during warp
X+ drive) is done via Blue Screen effect.
X+ Remember that the Blue Screen used in the windows is also
X+ reflected on the reflective table.
X+ .sp .35v
X+ The effect is, therefore, relatively easy to do (but it's still
X+ impressive IMHO).
X+ .lp \(bu 12p
X+ What happened to the bigger Klingon ships?
X+ Well, Rick and Mike have been lobbying to bring them back,
X+ but the Producers have said: ``Well the last time we used the small ships,
X+ nobody complained...''
X+ .lp \(bu 12p
X+ Question: ``What is Transporter Code 14?''
X+ .br
X+ Answer: ``Look at the Technical Manual :-)''
X+ .lp \(bu 12p
X+ Rick: ``If we're limited to the speed of light, how is it than we can
X+ use the Transporters while we're at Warp?''
X+ .sp .35v
X+ Mike: ``Ummmm..........whoops, we're out of time...''
X+ .in 0
X+ 
X+ PANEL: It isn't just movies (Anime Panel)
X+ .br
X+ \h'\w'PANEL: 'u'Rick Sternbach, Michael House, et al...
X+ .lp \(bu 12p
X+ How did the anime in-jokes get started?
X+ It seemed only fair, since the \f2Dirty Pair\f1 series (produced by Sunrise)
X+ had a number of Star Trek references in their own series...
X+ .sp .35v
X+ As a result, the \f2Dirty Pair\f1 gets more air time than anyone else on
X+ ST:TNG...oh no!!
X+ I \f3really\f1 meant to say \f2Lovely Angels\f1!
X+ Really!
X+ Wait!
X+ \f3ack\f1
X+ .lp \(bu 12p
X+ There is also an (unofficial) trading relationship between 
X+ Paramount and Sunrise.
X+ Rick did not mention what was being traded, however...
X+ .in 0
X+ 
X+ Alan Takahashi
X+ .br
X+ Carol Smith
X+ .bp
X+ .FT 6 3
X+ .ps 12
X+ .ss 14
X+ .vs 14
X  Palo Alto Creation Convention
X***************
X*** 365,367 ****
X  .lp \(bu 12p
X! Why don't we hear more about STTOS in STTNG?
X  Because Kirk was one of many legends of that time.
X--- 816,818 ----
X  .lp \(bu 12p
X! Why don't we hear more about ST:TOS in ST:TNG?
X  Because Kirk was one of many legends of that time.
X***************
X*** 416,417 ****
X--- 867,869 ----
X  endowed ``not unlike a horse'', which explains that exchange a little better.
X+ .bp
X  .lp \(bu 12p
X***************
X*** 578,580 ****
X  he simply felt that the chemistry with Gates was good, and that she had
X! been forced to elave for more political reasons than anything else.
X  .lp \(bu 12p
X--- 1030,1032 ----
X  he simply felt that the chemistry with Gates was good, and that she had
X! been forced to leave for more political reasons than anything else.
X  .lp \(bu 12p
X***************
X*** 1248,1250 ****
X  shoot, then it's pretty much up to us.
X! It's good for us if they like what we do cause they will let up keep doing them.
X  We do surprise, inspire and sometimes disappoint them.''
X--- 1700,1702 ----
X  shoot, then it's pretty much up to us.
X! It's good for us if they like what we do cause they will let us keep doing them.
X  We do surprise, inspire and sometimes disappoint them.''
X***************
X*** 1261,1263 ****
X  
X! ``Next week (week of 4/16/90) the final show of the third show will
X  finish shooting.
X--- 1713,1715 ----
X  
X! ``Next week (week of 4/16/90) the final show of the third season will
X  finish shooting.
X***************
X*** 1272,1274 ****
X  I hope we can get a nomination out of it.
X! Dan and I were nominated last year for the effects work in Q Who?,
X  but lost to \f2War and Remembrance\f1.''
X--- 1724,1726 ----
X  I hope we can get a nomination out of it.
X! Dan and I were nominated last year for the effects work in \f2Q Who?\f1,
X  but lost to \f2War and Remembrance\f1.''
X*** /tmp/,RCSt1a05953	Mon Jun  4 02:23:53 1990
X--- sttng.index	Mon Jun  4 02:19:56 1990
X***************
X*** 11,13 ****
X  .sp
X! .IN "20th century" "25, 51"
X  .IN "21st century" "3"
X--- 11,13 ----
X  .sp
X! .IN "20th century" "51"
X  .IN "21st century" "3"
X***************
X*** 21,22 ****
X--- 21,23 ----
X  .IN "\f2A Matter of Perspective\fP" "122"
X+ .IN "Academy" "143"
X  .IN "Acamar Three" "113"
X***************
X*** 40,42 ****
X  .IN "\f2Angel One\fP" "28, 29"
X! .IN "animation reference history" "G-7"
X  .IN "Antede Three" "89"
X--- 41,43 ----
X  .IN "\f2Angel One\fP" "28, 29"
X! .IN "animation reference history" "G-12"
X  .IN "Antede Three" "89"
X***************
X*** 44,47 ****
X  .IN "anthropologists" "103"
X  .IN "Aries" "79"
X- .IN "Armus" "43"
X  .IN "\f2Arsenal of Freedom, The\fP" "40"
X--- 45,48 ----
X  .IN "anthropologists" "103"
X+ .IN "Antican" "15"
X  .IN "Aries" "79"
X  .IN "\f2Arsenal of Freedom, The\fP" "40"
X***************
X*** 64,65 ****
X--- 65,68 ----
X  .IN "Baycon 89" "G-2"
X+ .IN "\f2Best of Both Worlds, The\fP" "146"
X+ .IN "Betazed" "143"
X  .IN "Betazoid sex drive" "89"
X***************
X*** 67,69 ****
X  .IN "\f2Big Goodbye, The\fP" "24"
X! .IN "BIX Network, Tidbits from the" "G-13"
X  .IN "\f2Bonding, The\fP" "104"
X--- 70,72 ----
X  .IN "\f2Big Goodbye, The\fP" "24"
X! .IN "BIX Network, Tidbits from the" "G-18"
X  .IN "\f2Bonding, The\fP" "104"
X***************
X*** 83,84 ****
X--- 86,88 ----
X  .IN "cast listing" "B-1"
X+ .IN "Celle" "15"
X  .IN "Charleston, U.S.S." "51"
X***************
X*** 92,95 ****
X  .IN "\f2Coming of Age\fP" "36"
X- .IN "competency" "37"
X  .IN "computer core" "99"
X  .IN "\f2Conspiracy\fP" "48"
X--- 96,99 ----
X  .IN "\f2Coming of Age\fP" "36"
X  .IN "computer core" "99"
X+ .IN "conference" "51"
X  .IN "\f2Conspiracy\fP" "48"
X***************
X*** 96,100 ****
X  .IN "\f2Contagion\fP" "72"
X! .IN "cryogenics" "51"
X  .IN "crystal entity" "27"
X- .IN "Custodian" "35"
X  .IN "cyrogenic sleep" "91"
X--- 100,103 ----
X  .IN "\f2Contagion\fP" "72"
X! .IN "Creighton, Ferengi ship" "143"
X  .IN "crystal entity" "27"
X  .IN "cyrogenic sleep" "91"
X***************
X*** 110,112 ****
X  .IN "\f2Dauphin, The\fP" "70"
X- .IN "de-aging" "23"
X  .IN "death, Lt. Yar's" "43"
X--- 113,114 ----
X***************
X*** 119,120 ****
X--- 121,123 ----
X  .IN "distress signal" "45"
X+ .IN "Dixon Hill" "25"
X  .IN "Douwd" "101"
X***************
X*** 131,133 ****
X  .IN "earth colony disappearance" "27"
X! .IN "Earth" "25, 51"
X  .IN "Edo" "17"
X--- 134,136 ----
X  .IN "earth colony disappearance" "27"
X! .IN "Earth" "51"
X  .IN "Edo" "17"
X***************
X*** 146,150 ****
X  .IN "\f2Ensigns of Command, The\fP" "96"
X! .IN "Enterprise Starship history" "G-11"
X  .IN "entrance exam" "37"
X! .IN "episodes contained in ``Shades of Gray''" "G-9"
X  .IN "Ersalrope wars" "41"
X--- 149,153 ----
X  .IN "\f2Ensigns of Command, The\fP" "96"
X! .IN "Enterprise Starship history" "G-16"
X  .IN "entrance exam" "37"
X! .IN "episodes contained in ``Shades of Gray''" "G-14"
X  .IN "Ersalrope wars" "41"
X***************
X*** 159,161 ****
X  .IN "Farpoint" "21"
X- .IN "Farragut, U.S.S." "41"
X  .IN "Federation exchange program" "67"
X--- 162,163 ----
X***************
X*** 163,170 ****
X  .IN "Federation treaty" "97"
X! .IN "Federation" "23, 29, 33, 51"
X! \h'24p'conference, 51
X  \h'24p'freighter, 29
X! \h'24p'officials, 23
X! \h'24p'outposts, 51
X! .IN "Ferengi" "13, 19, 93, 111"
X  .IN "Ficus Quadrant" "87"
X--- 165,171 ----
X  .IN "Federation treaty" "97"
X! .IN "Federation" "23, 29, 33"
X! \h'24p'ambassadors, 23
X  \h'24p'freighter, 29
X! .IN "Ferengi ship Creighton" "143"
X! .IN "Ferengi" "13, 19, 93, 111, 143"
X  .IN "Ficus Quadrant" "87"
X***************
X*** 176,177 ****
X--- 177,179 ----
X  .IN "fourth season titles" "A-9"
X+ .IN "frozen humans" "51"
X  .IN "fugitives" "29"
X***************
X*** 183,185 ****
X  .IN "Galorndon Core" "109"
X- .IN "gangsters" "25"
X  .IN "Gatherers" "113"
X--- 185,186 ----
X***************
X*** 199,202 ****
X  .IN "\f2High Ground, The\fP" "118"
X  .IN "historian" "25"
X! .IN "history behind animation references" "G-7"
X  .IN "\f2Hollow Pursuits\fP" "136"
X--- 200,204 ----
X  .IN "\f2High Ground, The\fP" "118"
X+ .IN "Hill, Dixon" "25"
X  .IN "historian" "25"
X! .IN "history behind animation references" "G-12"
X  .IN "\f2Hollow Pursuits\fP" "136"
X***************
X*** 219,220 ****
X--- 221,223 ----
X  .IN "investigation" "37"
X+ .IN "Iverson's disease" "23"
X  .ed
X***************
X*** 233,235 ****
X  .IN "Kavis Alpha Sector" "99"
X! .IN "kidnapping" "7, 23, 35, 57, 119"
X  .IN "Klavdia Three" "71"
X--- 236,238 ----
X  .IN "Kavis Alpha Sector" "99"
X! .IN "kidnapping" "7, 23, 35, 57, 119, 143"
X  .IN "Klavdia Three" "71"
X***************
X*** 237,239 ****
X  \h'24p'cruiser Pagh, 67
X! \h'24p'fugitives, 39
X  \h'24p'vessel T'Ong, 91
X--- 240,242 ----
X  \h'24p'cruiser Pagh, 67
X! \h'24p'dissidents, 39
X  \h'24p'vessel T'Ong, 91
X***************
X*** 268,272 ****
X  .IN "Menthars" "107"
X- .IN "Microbrain" "33"
X  .IN "microvirus" "113"
X- .IN "mind altering device" "19"
X  .IN "mind transfer" "61"
X--- 271,273 ----
X***************
X*** 290,292 ****
X  .IN "\f2Naked Now, The\fP" "4"
X! .IN "names, shuttlecraft" "G-8"
X  .IN "nanites" "99"
X--- 291,293 ----
X  .IN "\f2Naked Now, The\fP" "4"
X! .IN "names, shuttlecraft" "G-13"
X  .IN "nanites" "99"
X***************
X*** 296,298 ****
X  .IN "\f2Neutral Zone, The\fP" "50"
X! .IN "Neutral Zone" "29, 51, 73, 109"
X  .IN "nominations, Emmy" "F-1"
X--- 297,299 ----
X  .IN "\f2Neutral Zone, The\fP" "50"
X! .IN "Neutral Zone" "29, 39, 51, 73, 109"
X  .IN "nominations, Emmy" "F-1"
X***************
X*** 299,300 ****
X--- 300,302 ----
X  .IN "nominations, NAACP Image Award" "F-2"
X+ .IN "Noonian Soongh, Dr." "27"
X  .ed
X***************
X*** 309,310 ****
X--- 311,313 ----
X  .IN "Ornara" "45"
X+ .IN "outposts" "51"
X  .IN "\f2Outrageous Okona, The\fP" "58"
X***************
X*** 318,320 ****
X  .IN "Pakled" "85"
X! .IN "Palo Alto Creation Convention" "G-4"
X  .IN "parasitic being" "49"
X--- 321,323 ----
X  .IN "Pakled" "85"
X! .IN "Palo Alto Creation Convention" "G-9"
X  .IN "parasitic being" "49"
X***************
X*** 329,331 ****
X  .IN "Portal" "13"
X! .IN "power of the Q" "21"
X  .IN "pregnancy" "53"
X--- 332,334 ----
X  .IN "Portal" "13"
X! .IN "power of Q" "21"
X  .IN "pregnancy" "53"
X***************
X*** 374,378 ****
X  .IN "Sarona Eight" "47"
X! .IN "satellite" "1, 51"
X  \h'24p'audio, 1
X- \h'24p'disabled 20th century, 51
X  \h'24p'stereo, 1
X--- 377,380 ----
X  .IN "Sarona Eight" "47"
X! .IN "satellite" "1"
X  \h'24p'audio, 1
X  \h'24p'stereo, 1
X***************
X*** 387,389 ****
X  .IN "Sherlock Holmes" "57"
X! .IN "shuttlecraft names" "G-8"
X  .IN "shuttlecraft" "43"
X--- 389,391 ----
X  .IN "Sherlock Holmes" "57"
X! .IN "shuttlecraft names" "G-13"
X  .IN "shuttlecraft" "43"
X***************
X*** 392,393 ****
X--- 394,396 ----
X  .IN "Solais Five" "63"
X+ .IN "Soongh, Dr. Noonian" "27"
X  .IN "star date title sort" "A-14"
X***************
X*** 399,401 ****
X  .IN "Stargazer" "19"
X! .IN "Starlog magazine cross reference" "G-16"
X  .IN "starship" "5, 41, 51, 55, 57, 65, 73"
X--- 402,404 ----
X  .IN "Stargazer" "19"
X! .IN "Starlog magazine cross reference" "G-21"
X  .IN "starship" "5, 41, 51, 55, 57, 65, 73"
X***************
X*** 403,405 ****
X  \h'24p'U.S.S. Drake, 41
X- \h'24p'U.S.S. Farragut, 41
X  \h'24p'U.S.S. Lantree, 65
X--- 406,407 ----
X***************
X*** 414,415 ****
X--- 416,418 ----
X  .IN "Stryis IV" "7"
X+ .IN "Stuff from Baycon 90" "G-4"
X  .IN "Surata Four" "95"
X***************
X*** 426,428 ****
X  .IN "Tau Cygna Five" "97"
X! .IN "telecaptioning on ``Q Who''" "G-8"
X  .IN "terraforming" "33"
X--- 429,431 ----
X  .IN "Tau Cygna Five" "97"
X! .IN "telecaptioning on ``Q Who''" "G-13"
X  .IN "terraforming" "33"
X***************
X*** 432,434 ****
X  .IN "third season titles" "A-8"
X! .IN "Tidbits from the BIX Network" "G-13"
X  .IN "time dimensions" "47"
X--- 435,438 ----
X  .IN "third season titles" "A-8"
X! .IN "thought altering device" "19"
X! .IN "Tidbits from the BIX Network" "G-18"
X  .IN "time dimensions" "47"
X***************
X*** 453,455 ****
X  .IN "Tsiolkovsky, U.S.S." "5"
X! .IN "TV Guide notes" "G-10"
X  .ed
X--- 457,459 ----
X  .IN "Tsiolkovsky, U.S.S." "5"
X! .IN "TV Guide notes" "G-15"
X  .ed
X***************
X*** 461,463 ****
X  .IN "U.S.S. Drake" "41"
X- .IN "U.S.S. Farragut" "41"
X  .IN "U.S.S. Lantree" "65"
X--- 465,466 ----
X***************
X*** 495,497 ****
X  .IN "\f2Who Watches The Watchers\fP" "102"
X- .IN "wishes" "21"
X  .IN "wormhole" "111"
X--- 498,499 ----
X*** /tmp/,RCSt1a05959	Mon Jun  4 02:23:56 1990
X--- Makefile	Mon Jun  4 02:18:50 1990
X***************
X*** 1,2 ****
X! # $Header: /usr/brown/startrek/RCS/Makefile,v 3.7 90/05/10 00:16:23 brown Exp $
X  
X--- 1,2 ----
X! # $Header: /usr/brown/startrek/RCS/Makefile,v 3.8 90/06/04 02:18:39 brown Exp Locker: brown $
X  
X***************
X*** 59,68 ****
X  	
X! COVERPAGES=-o3
X  CONTENTPAGES=-o2,3
X! TXT1PAGES=
X! TXT2PAGES=
X! TXT3PAGES=-o115,132,134,136-
X  APAGES=-o3,8,11-
X! BPAGES=-o1-13
X! CPAGES=-o1,2,5
X  DPAGES=-o5-
X--- 59,68 ----
X  	
X! COVERPAGES=-o1,3
X  CONTENTPAGES=-o2,3
X! TXT1PAGES=-o3,5,7,9,11,13,15,17,19,21,23,25,27,29,31,33,35,37,39,41,43,45,47,49,51
X! TXT2PAGES=-o93,95
X! TXT3PAGES=-o105,113,115,117,119,121,123,125,127,129,131,133,135,137,139-
X  APAGES=-o3,8,11-
X! BPAGES=-o3,5,8,9,11-13
X! CPAGES=-o1,5
X  DPAGES=-o5-
X***************
X*** 70,72 ****
X  FPAGES=-o1
X! GPAGES=-o14-
X  IPAGES=
X--- 70,72 ----
X  FPAGES=-o1
X! GPAGES=-o3-
X  IPAGES=
X***************
X*** 81,84 ****
X  	sttng.txt1.prt sttng.int.prt sttng.cont.prt sttng.cov.prt
X! DATE=-rM5 -rD7 -rY90
X! VERSION=-rV307
X  
X--- 81,84 ----
X  	sttng.txt1.prt sttng.int.prt sttng.cont.prt sttng.cov.prt
X! DATE=-rM6 -rD4 -rY90
X! VERSION=-rV308
X  
SHAR_EOF
echo "File sttng308d is complete"
chmod 0644 sttng308d || echo "restore of sttng308d fails"
set `wc -c sttng308d`;Sum=$1
if test "$Sum" != "179435"
then echo original size 179435, current size $Sum;fi
rm -f s2_seq_.tmp
echo "You have unpacked the last part"
exit 0