Path: utzoo!attcan!uunet!bu.edu!nucsrl!telecom-request From: leichter@lrw.com (Jerry Leichter) Newsgroups: comp.dcom.telecom Subject: Re: On the Trail of the Elusive Octothorpe Message-ID: <59806@bu.edu.bu.edu> Date: 30 Jun 90 16:03:03 GMT Sender: news@bu.edu.bu.edu Organization: TELECOM Digest Lines: 24 Approved: Telecom@eecs.nwu.edu X-Submissions-To: telecom@eecs.nwu.edu X-Administrivia-To: telecom-request@eecs.nwu.edu X-Telecom-Digest: Volume 10, Issue 461, Message 3 of 12 Several people noted (ahem) that # and the musical sharp sign were "the same". This is not quite true. The musical sharp sign is normally smaller and has its four lines at an angle to the vertical and horizontal - often almost a 45 degree angle. Even more noticable is that the sharp is a superscript - it's not placed quite as high as, say, a superscript 2 for "squared" - for one thing, it's bigger - but it is definitely well above the baseline. Obviously, different fonts will choose slightly different representations for each character, so there may be some overlap. However, the character is never raised (much) above the baseline when used for "number" or "pounds", but is always raised when used for "sharp". BTW, yet another name for "#" is "hash mark". Knuth uses that in The TeXbook, for example. Both "number sign" and "pound sign" appear in the index marked "see hash mark". (On the other hand, so does "sharp sign". However, an example in the book defines a \sharp macro as a hash mark - but a hash mark raised above the baseline by .4 ex, .4 times the nominal height of an "x" character in the font.) -- Jerry