Path: utzoo!attcan!uunet!cs.utexas.edu!mailrus!uflorida!mephisto!gatech!artsnet!mgresham From: mgresham@artsnet.UUCP (Mark Gresham) Newsgroups: comp.music Subject: Re: Do you have to be a Musician to enjoy Music? Message-ID: <883@artsnet.UUCP> Date: 2 Jul 90 16:56:57 GMT References: <15069018:49:52KRW1@lehigh.bitnet> <1990Jun17.043120.14077@murdoch.acc.Virginia.EDU> <10209.267b825d@vax1.cc.lehigh.edu> Reply-To: mgresham@artsnet.UUCP (Mark Gresham) Organization: ARTSNET Atlanta, GA USA Lines: 55 In article <10209.267b825d@vax1.cc.lehigh.edu> lukrw@vax1.cc.lehigh.edu writes: >In article <1990Jun17.043120.14077@murdoch.acc.Virginia.EDU>, pmy@vivaldi.acc.virginia.edu (Pete Yadlowsky) writes: > >> Firstly: >> - There are no untrained ears. If you have some idea of what >> music is and is not, consider yourself trained. > >Skirting to the extremes and asserting that there's "no such thing" is >certainly a clever, but tiresome way of avoiding the issue. Why? Because it sucessfully points out that 'training' need not mean one particular kind of training? It hardly avoids the issue, but rather lays the foundation for some genuine considerations of the limitations and possibilities of our training processes, and what it is we train people to do. >meaning of "training", as in systematic study, was pretty clear. But which systematic study? >> - When I listen to Cage's Variations II, I don't think >> about science. > >Good for you. Perhaps you've developed an intuitive understanding of >the science and no longer have to think about it. In other words, he listens to the music, not the structural model for the music. >[...various argumants and misunderstandings...] Look, guys, you're both trying to defend very different points that are points of style! As indicated below, both of you are in essential agreement! But you're both defending a portion of your emotional 'turf' that often gets attacked (popular styles for one, complex/experimental music for the other) but mistakenly against each other! >Ok, so your opinion on the original subject is that you don't have to >be a musician? Good news for the 3 billion+ individuals in the world >who probably won't ever get around to any serious music study. But >why worry about them...we've got more important things to do... After all, they're not worried about us, are they? Instead, they go on making music, listening to it, and responding to it. Cheers, --Mark ======================================== Mark Gresham ARTSNET Norcross, GA, USA E-mail: ...gatech!artsnet!mgresham or: artsnet!mgresham@gatech.edu ========================================