Xref: utzoo rec.music.makers:9413 rec.music.synth:14588 comp.music:1590 Path: utzoo!utgpu!news-server.csri.toronto.edu!rutgers!mit-eddie!bu.edu!xylogics!transfer!crackers!m2c!umvlsi!dime!roskill From: roskill@cs.umass.edu Newsgroups: rec.music.makers,rec.music.synth,comp.music Subject: Re: dbx vs. Dolby C Noise Reduction Message-ID: <16931@dime.cs.umass.edu> Date: 16 Jul 90 04:17:57 GMT Sender: news@dime.cs.umass.edu Followup-To: rec.music.makers Organization: COINS, UMass, Amherst Lines: 26 In article <56@maxx.UUCP>, tyager@maxx.UUCP (Tom Yager) writes... >I trust my ears, and I like dbx better. This is a "love or hate" question, >and people on both sides tend to have pretty strong opinions. > >To me, Dolby C seems to trample on highs, and makes quiet passages in the >music almost inaudible. For music that remains at a fairly constant volume, >its noise-reduction is obvious, and can be impressive. I think it depends on the quality of each type of the noise reduction. In my opinion, Dolby C on four-track recorders is far superior to the dbx built into similar units. This is not to say I don't like dbx. I love stand-alone dbx units, but the "one-chip" noise reduction dbx suck. My Fostex 160 has Dolby C and I have found it very affective in reducing noise without the "breathing" I find in dbx 4-track units. I guess I'm waiting for Dolby S and a 4-track DAT. Damian |----------------------------------------------------------------| |"Party For Your Right To Fight" | "Welcome to the Terrordome!"| | Damian Roskill | | | Specular International, Inc. | The Makers of Infini-D! | | Roskill@cs.umass.edu | Raytracing for the Mac II | | My opinions are my own..... | "Catch some rays!" | |----------------------------------------------------------------|