Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!swrinde!zaphod.mps.ohio-state.edu!sdd.hp.com!hplabs!hpl-opus!hpnmdla!darenm From: darenm@hpnmdla.HP.COM (Daren McClearnon) Newsgroups: comp.music Subject: Re: Re^2: dbx vs. Dolby C Noise Reduction Message-ID: <8050002@hpnmdla.HP.COM> Date: 24 Jul 90 15:36:25 GMT References: <6278@gssc.UUCP> Organization: HP Network Measurements Div, Santa Rosa, CA Lines: 32 Unfortunately, DBX as a company abandoned the dbx noise reduction market at the first blush of the compact disc era, say 7 or 8 years ago. I always preferred dbx for consumer rock recording but could never find car stereo equipment or friends with dbx to make it practical. Nowadays, if you read the litany on Dolby SR, it is basically doing multi-band, bandlimited compansion like you always hoped dbx would do some day. But no, they diversified into speakers and components and are not even doing DSP versions of their older signal processing stalwarts like the 4BX. One complaint I've had with dbx is that the high-frequency pre-emphasis usually saturates non-metal tape at higher record levels; they really should have created the equivalent of Dolby HX, which modulates the bias, or Tandbarg's Dyneq, which modulates the equalization, as a function of record level. ALL IN ALL - dbx:audio::beta:video |\/\/\/| | | /----------------\ | | | COWABUNGA, DUDE. | | (o)(o) /,----------------/ C _) | ,___| | / /____\ / \ Daren McClearnon somewhere in Hewlett Packard.