Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!yale!mintaka!bloom-beacon!GAFFA.MIT.EDU!Love-Hounds-request From: Love-Hounds-request@GAFFA.MIT.EDU Newsgroups: rec.music.gaffa Subject: Re: Don't knock it till spin 500... Message-ID: <9007311808.AA04233@m2.csc.ti.com> Date: 31 Jul 90 18:08:56 GMT Sender: Love-Hounds-request@gaffa.MIT.EDU Reply-To: Love-Hounds@gaffa.MIT.EDU Organization: The Internet Lines: 25 Approved: love-hounds@eddie.mit.edu Really-From: vishal@m2.csc.ti.com (Vishal Markandey) stern@chem.nwu.edu (Charlotte Stern) writes: > Simple. It has nothing to do with the hypothesis. You just haven't > listened to it enough to have been revelated yet. > Although most will agree that TD is KT's best, they will probably also agree > that it is the one that requires the most patience. It wasn't until after > many, many listenings that I decided TD was great. My first impression > (for many months) was exactly yours: yucko. Mine too. It took me months to get into TD. Now I think it is the greatest album ever. I have also been listening to TSW for months now. It still ranks at the bottom of my list of Kate's work. It is a good piece of work, but it just doesn't have that touch of magic I have come to associate with Kate's work. > If you can appreciate TD, I have found, there's a whole gamut of other > music out there (much of it mentioned in LH) that you are ready to > explore. It really does open your mind and let the weirdness in. > Honest. Really and truly. I just wish Kate was producing more of the weirdness. Its not like she has lost it completely, after all there's _Ken_.