Path: utzoo!attcan!uunet!crdgw1!ge-dab!tarpit!peora!masscomp!rpi!zaphod.mps.ohio-state.edu!samsung!cs.utexas.edu!sun-barr!olivea!mintaka!bloom-beacon!eru!hagbard!sunic!mcsun!hp4nl!fwi.uva.nl!freek From: freek@fwi.uva.nl (Freek Wiedijk) Newsgroups: comp.fonts Subject: Re: Looking for fonts... Message-ID: <1397@carol.fwi.uva.nl> Date: 26 Oct 90 09:52:48 GMT References: <1395@carol.fwi.uva.nl> <1734@exodus.Eng.Sun.COM> Sender: news@fwi.uva.nl Lines: 20 henry@angel.Eng.Sun.COM (Henry McGilton) writes: >In article <1395@carol.fwi.uva.nl>, I wrote: > > * I _do_ know that some of these typefaces have multiple > * "implementations", e.g. even Adobe sells a number of > * "Garamonds". So, how do I find out what the best > * variant of each of these fonts is? > >The `best' variation of a font is what you like, or what your >designer likes. It's very subjective. Get Adobe's Font and >Function catalog. Plus find type catalogs from your bookstore. What I meant by `best' was `closest to the (original) lead type'. So, for example, I wanted to know which Postscript Garamond resembles the original Monotype Garamond (of which the history is described in `a Tally of Types' by Stanley Morison) most. Freek "the Pistol Major" Wiedijk E-mail: freek@fwi.uva.nl #P:+/ = #+/P?*+/ = i<<*+/P?*+/ = +/i<<**P?*+/ = +/(i<<*P?)*+/ = +/+/(i<<*P?)**