Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!sdd.hp.com!elroy.jpl.nasa.gov!ncar!midway!arthur!francis From: francis@arthur.uchicago.edu (Francis Stracke) Newsgroups: comp.sys.mac.games Subject: Re: Risk Message-ID: <1990Nov16.223939.26310@midway.uchicago.edu> Date: 16 Nov 90 22:39:39 GMT References: <969@inews.intel.com> <17105@hydra.gatech.EDU> <15713@reed.UUCP> Sender: news@midway.uchicago.edu (News Administrator) Organization: Mathematics Department, University of Chicago Lines: 21 In article <15713@reed.UUCP> orpheus@reed.UUCP (Aaron Semplers) writes: > No one can deny that Risk belongs to Parker Brothers. It would be >interesting to see legislation passed that made copyright and trademark >nothing more than a "first shot at it" sort of thing. Interesting, but >probably not in the long term interests of the economy. I am not big on >intellectual property rights myself, but they do serve a purpose. That's how it works in the music industry! The original composer has the right to decide who first records/markets his song (i.e., if I write a song, & show it to somebody, they can't record it & market it before I do. In fact, if I write a song, and give it to my record company, then they get me mad for something--say, advertising it obnoxiously-- I can deny them the marketing & go to somebody else. [Note that "I" here should be taken as a general pronoun; I am not a composer. :-)] Contract law probably modifies this; I'm not sure.) Not sure why it's different for music... | Francis Stracke | My opinions are my own. I don't steal them.| | Department of Mathematics |=============================================| | University of Chicago | Non sequiturs make me eat lampshades | | francis@zaphod.uchicago.edu | |