Path: utzoo!utgpu!watserv1!watmath!att!att!pacbell.com!mips!sdd.hp.com!uakari.primate.wisc.edu!dali.cs.montana.edu!milton!decwrl!well.sf.ca.us!well!rnm@uunet.UU.NET From: decwrl!well.sf.ca.us!well!rnm@uunet.UU.NET (Robert Marsanyi) Newsgroups: sci.virtual-worlds Subject: Re: Musical Virtual Worlds Message-ID: <11368@milton.u.washington.edu> Date: 17 Nov 90 02:05:14 GMT References: <1990Nov13.213038.27046@cpsc.ucalgary.ca> Sender: hlab@milton.u.washington.edu Organization: Whole Earth 'Lectronic Link, Sausalito, CA Lines: 18 Approved: hitl@hardy.u.washington.edu > MVW's: expert vs. naive interaction, and user<->world interdependence Two good points. The notion of environment as instrument is especially powerful, in my view, and I have pointed out that much can be learned from the millenia-old art of instrument building in the capture of acquired or intuitive gesture. Added to the above: many of these performance environments are designed for more than one performer, and sophisticated notions of the interaction of performers in this circumstance are also a part of the ground that's already been broken. In addition, many of the most successful of these environments entail a severe limitation on the universe over which they operate, rather than trying to be a catch-all. --rbt