Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!wuarchive!mit-eddie!uw-beaver!milton!jdunn@polyslo.CalPoly.EDU From: jdunn@polyslo.CalPoly.EDU (Jeff Dunn) Newsgroups: sci.virtual-worlds Subject: Re: Sensory Modalities (was Re: Musical Virtual Worlds) Message-ID: <12189@milton.u.washington.edu> Date: 3 Dec 90 15:14:01 GMT References: <1990Nov13.213038.27046@cpsc.ucalgary.ca> <11370@milton.u.washington Sender: hlab@milton.u.washington.edu Organization: Cal Poly, SLO Lines: 32 Approved: hitl@hardy.u.washington.edu cgy@cs.brown.edu (Curtis Yarvin) writes: > >This thread is starting to set off my bullfudge meter. Look. The bandwidth >of the optic nerve has been estimated at 1 Mb/s - and this has already been >highly compressed by the retina. (I am not an expert here, and I think this >figure is slightly low - can anyone correct me?) Perfect sound can be >duplicated by 16-bit samples at 44Khz. This is wrong. Audio compact disks have a sampling rate of 44.1 KHz, which has show to be a little low. Audiophiles have long complained about the lack of proper high-frequency response. In fact, I know a symphonic flautist who says that he can't tell the different types of flutes from a CD recording. This is probably why we have 8x oversampling CD players and green pens to paint the edges of our disks. The studio standard for digital audio is 88.2 KHz, although I believe the resolution is still 14 bits, just like CDs. Also, those 14 bits are LINEAR, you can get the same sound quality from few bits (12?) by using a logarithmic scaling. Beyond that, the concept "perfect sound" is hard to define - this is a qualititative judgement that varies from ear to ear. -jd jdunn@polyslo.calpoly.edu -- TALK HARD Brought to you by Super Global Mega Corp .com