Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!swrinde!zaphod.mps.ohio-state.edu!function.mps.ohio-state.edu!vidynath From: vidynath@function.mps.ohio-state.edu (Vidhyanath K. Rao) Newsgroups: comp.sys.amiga Subject: Re: Upload of WenWeMakeLuv on...ucsd.edu Keywords: Removal... Message-ID: <1990Dec31.020509.8533@zaphod.mps.ohio-state.edu> Date: 31 Dec 90 02:05:09 GMT References: <2444@lpami.wimsey.bc.ca> Sender: news@zaphod.mps.ohio-state.edu Organization: Me? Organized? Lines: 23 Nntp-Posting-Host: function.mps.ohio-state.edu In <2055@beguine.UUCP>, Viet.Ho@samba.acs.unc.edu (Viet Ho) writes: >This brings up a question about copyrights however. What's >the difference between sampling a piece of music and say, scanning >in images from say, a poster, book, or an animation from >"Who Framed Roger Rabbit"?? In article <2444@lpami.wimsey.bc.ca> lphillips@lpami.wimsey.bc.ca (Larry Phillips) writes: >The main difference is in how actively the copyright owners protect their >rights. The music industry is near fanatical in this regard. As well as what portion is reproduced, with what intent and with what effect on the income of the copyright holder. You can probably get away with sampling just 5 seconds of a 6 minute song. You certainly can if the sample is part of a review or course notes. You can sample a minute of Roger Rabbit, but certainly not the whole movie or even 10 minutes of it. You certainly cannot scan a poster that is being sold. Finally you can scan a whole advertisement and if the advertiser wants you to pay for it, he will be laughed out of the court. -- Vidhyanth Rao It is the man, not the method, that solves function.mps.ohio-state.edu the problem. - Henri Poincare (614)-366-9341 [as paraphrased by E. T. Bell]