Path: utzoo!utgpu!news-server.csri.toronto.edu!clyde.concordia.ca!thunder.mcrcim.mcgill.edu!snorkelwacker.mit.edu!bloom-beacon!eru!hagbard!sunic!liuida!prosys!ath From: ath@prosys.se (Anders Thulin) Newsgroups: comp.fonts Subject: Re: Control word for font design. Message-ID: <696@helios.prosys.se> Date: 5 Jan 91 09:20:37 GMT References: <12592@life.ai.mit.edu> Organization: Telesoft AB, Teknikringen 2A, S-583 30 Linkoping, Sweden Lines: 15 In article <12592@life.ai.mit.edu> karl@ai.mit.edu (Karl Berry) writes: >When designing a typeface, the letters `h' (or `n'), `a', and `e' are >often done first, since they contain many repeated elements. Other >letters, like `f' and `g' and `t' are oddballs; there are no other >letters in the modern Latin alphabet like them. For a practical example of this, see the letters Walter A Dwiggins wrote to Rudolph Ruzicka about font designing. I think they were published by Princeton University Press under the title _WAD to RR_. Incidentally, they are also great examples of calligraphy. -- Anders Thulin ath@prosys.se {uunet,mcsun}!sunic!prosys!ath Telesoft Europe AB, Teknikringen 2B, S-583 30 Linkoping, Sweden