Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!samsung!emory!gatech!galbp!wcieng!daysinns!artsnet!mgresham From: mgresham@artsnet.UUCP (Mark Gresham) Newsgroups: comp.music Subject: Re: 2nd rate European Conference Keywords: segmentation, absolute perceptual unity Message-ID: <1146@artsnet.UUCP> Date: 19 Jan 91 15:58:46 GMT References: <15268@sdcc6.ucsd.edu> <5121@idunno.Princeton.EDU> <16384@venera.isi.edu> <5376@idunno.Princeton.EDU> <650@anaxagoras.ils.nwu.edu> Reply-To: mgresham@artsnet.UUCP (Mark Gresham) Distribution: na Organization: ARTSNET Atlanta, GA USA Lines: 18 In article <650@anaxagoras.ils.nwu.edu> sandell@ils.nwu.edu (Greg Sandell) writes: >I'm pleased to see that EH admits the existence of categories since in >my world view, one of the objectives of music theory to discover and >characterize those categories (or perceptual prejudices if you will). >The question is, when you've done that, what have you discovered...have >you modelled music perception or simply musical habit? I think you've modelled the modelling means. Cheers, --Mark ======================================== Mark Gresham ARTSNET Norcross, GA, USA E-mail: ...gatech!artsnet!mgresham or: artsnet!mgresham@gatech.edu ========================================