Path: utzoo!utgpu!news-server.csri.toronto.edu!bonnie.concordia.ca!uunet!zaphod.mps.ohio-state.edu!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: hans@smab.se (Hans C Larsson) Newsgroups: rec.audio.high-end Subject: Re: Why DCC should die Message-ID: <8971@uwm.edu> Date: 16 Jan 91 14:27:24 GMT Sender: news@uwm.edu Lines: 30 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu Jon.Fairbairn@computer-lab.cambridge.ac.uk (Jon Fairbairn) writes: [About DCC] >sound on a tape. The tape speed is the same as for compact cassette, so the >continuous playing time is 45 minutes, with 60 minutes (per side) promised >for thinner tape. The digital mode uses special cassettes (with sliding covers ala DAT) that are one-sided *and* auto-reverse !. I.e. you get 45 + (clonk) + 45 minutes with DCC-90 tapes. >Now, it is possible to compress data with absolutely no loss of quality (not >like dynamic range compression, which sacrifices amplitude resolution for ... >or triangular waveforms at the right frequencies), there will be a 25/32 >reduction in size. Music falls somewhere in between. NICAM TV-stereo (currently in use in UK & Scandinavia) uses 10+4 bits, similar to the first 18 bits CD's (16+2). (Floating bits) >So if you're hanging on for DCC, don't! I second that.. -- ------------------------------------------------------------ Hans C Larsson Email: hans@smab.se Saab Missiles, Sweden Motto: "keep it short"