Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!swrinde!zaphod.mps.ohio-state.edu!sdd.hp.com!spool.mu.edu!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: ttak@uhura.cc.rochester.edu (Tim Takahashi) Newsgroups: rec.audio.high-end Subject: Re: 3 Observations On Q-Sound - What's going on??? Message-ID: <9270@uwm.edu> Date: 1 Feb 91 14:43:29 GMT Sender: news@uwm.edu Lines: 41 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu In article <9250@uwm.edu> ccicpg!keith@uunet.UU.NET (Keith McIntyre) writes: >There has been some discussion on the newsgroups lately about Q >sound and how it actually sounds. >The question is, how can the observed sound be so radically >different? Is Q sound what it is cracked up to be? >Person number 3 heard the CD last and has a system consisting of >Martin Logan Sequel II speakers, Threshold s/300 amplifier, and a >Sony CDP-111 CD player. His comments are as follows: > I sat there and waited for incredible sound effects. I played > through parts of every song on the CD and nothing happened. There > was some imaging to the left and right of the speakers, but nothing > extreme and maybe only slightly more than what a normal rock or > pop CD has. > This CD set the record for flat two dimensional > soundstages. I didn't think it was possible for bipolar speakers > to give only a half foot of depth on the soundstage. This CD did > that. In fact at times the sound was actually lying right on the > speaker membranes. I recently purchased the new Sting album, on LP. This is Q-Sound encoded. My system used for playback is : Dual CS5000/Shure V-15 IV/Custom Dyna PAS-3x Dyna ST-70/Magnepan MG=Ic's. My experiences are almost identical to Person Number 3. Basically, my equipment allowed me to hear through the electronic ruse of Q-sound and listen to very flat, dynamically squashed, pan-potted tracks superimposed on weird-out-of-phase effects. Reversing absolute polarity did *NOT* help. In my opinion : the is one of the most unflatteringly *unmusical* releases that a talented artist could be saddled with. I shudder to think what Classical recording will be like under Q-Sound. Colleagues (non-audiophile) when hearing my reaction justly felt that my dissatisfaction was due to having inferior equipment - see that 30 year old amp really *doesn't* sound any good, and let alone LP's! On a really good $50000 stereo it should sound great! 8-) Tim Takahashi ttak@uhura.cc.rochester.edu