Path: utzoo!attcan!uunet!ogicse!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: jj@alice.att.com (jj, like it or not) Newsgroups: rec.audio.high-end Subject: Re: bi-amping Message-ID: <9137@uwm.edu> Date: 25 Jan 91 13:55:01 GMT Sender: news@uwm.edu Lines: 44 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu Anyone seriously considering "real" bi-amping (which means a low-level crossover in front of the amps) should probably look into various asymetric designs for crossovers. Why? Because you wind up with (for instance) a low pass of and a high pass of 2s+1 s*s ________ _________ s*s+2s+1 s*s+2s+1 Which, you note, adds up to 1, with no phase-problems, and no amplitude problems. This does have a problem, in general you wind up with slower crossover points somewhere, usually at low freq's. I have done this with a machine-optimized 5th order transfer function, where the highpass looked like third order and the low pass like second order. The q of all the sections was quite low, because of the design, so I think you COULD even build it with valves for that IM distortion warmth, if you'd insist. You just have to do the math, and then figure out the parts values for ONE of the filters. You get the other one by direct subtraction, thus taking care of any significant parameter problems around the crossover point. ----- You can make this an article if you want. I don't have time. jj -- -------->From the pyrolagnic keyboard of jj@alice.att.com<-------- Copyright alice!jj 1990, all rights reserved, except transmission by USENET and like free facilities granted. Said permission is granted only for complete copies that include this notice. Use on pay-for-read services specifically disallowed.