Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!usc!julius.cs.uiuc.edu!apple!bionet!hayes.ims.alaska.edu!gateway!dont-send-mail-to-path-lines From: nessus@MIT.EDU (Doug Alan) Newsgroups: rec.music.gaffa Subject: CD Masters Message-ID: <9102112207.AA06587@twitch.media.mit.edu> Date: 11 Feb 91 22:07:13 GMT Sender: Love-Hounds-request@ims.alaska.edu Reply-To: Doug Alan Organization: The Internet Lines: 17 Approved: Love-Hounds@hayes.ims.alaska.edu > [Chris Williams:] American CD's of English artists are never made > from the original master tapes due to the obvious risks of > transporting irreplacable masters across the ocean. I don't believe this for a moment. This is a ridiculous argument. You can copy a digital master a millions times and never degrade the original. Furthermore, any copy is just as good as the master. Why, if you had a CD without two many little holes in it, you could even use it to make a new digital master that would be close to indistinguishable from the original digital master. I can't see any possible good reason why a U.S. record company should remaster from inferior analog copies a CD that was digitally recorded, mixed, and mastered in England. This defeats thwe whole purpose of "digital"! |>oug X is for KATE's pictures, their rumours a tort