Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!sdd.hp.com!caen!sol.ctr.columbia.edu!cunixf.cc.columbia.edu!cunixa.cc.columbia.edu!garton From: garton@cunixa.cc.columbia.edu (Bradford Garton) Newsgroups: comp.music Subject: Re: Definition of "computer music" Message-ID: <1991Mar1.142157.2548@cunixf.cc.columbia.edu> Date: 1 Mar 91 14:21:57 GMT References: <17011@sdcc6.ucsd.edu> <17051@sdcc6.ucsd.edu> Sender: usenet@cunixf.cc.columbia.edu (The Network News) Reply-To: garton@cunixa.cc.columbia.edu (Bradford Garton) Organization: Columbia University Lines: 17 Nntp-Posting-Host: cunixa.cc.columbia.edu In article <17051@sdcc6.ucsd.edu> cpenrose@sdcc13.ucsd.edu (Christopher Penrose) writes: > >the grunge of a converted a.out core file, all these examples can be >considered "computer music". Why must the concept of "computer music" >exclude these possibilities? Just for fun one night, we converted /vmunix on our Sun 3/280 (SunOS 3.2) at 20k mono, and I swear there is a human vocal sound in it! About 2/3 of the way through, it went "bleaugh". Sounds a lot like LPC. It was also surprising how much periodicity there was. It actually was a pretty snazzy piece of music -- we all wondered if it might be possible to debug code by listening to it... :-) Brad Garton Music Dept. brad@woof.columbia.edu