Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!usc!sdd.hp.com!spool.mu.edu!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: ed@mtxinu.COM (Ed Gould) Newsgroups: rec.audio.high-end Subject: Re: Improving Message-ID: <10379@uwm.edu> Date: 20 Mar 91 13:48:34 GMT Sender: news@uwm.edu Lines: 29 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu > If you listen to a 20th generation copy of an analog signal, you'd > probly find that, among other things, it is a lot noiser than the > original, so surely the data on a 20th generation digital signal > will contain much more noise than the original. Only if it's copied as if it were analog data. Correct copying of digital information should regenerate and reform the signal at every stage. After all, the beauty of digital information is that one can *know* what it's supposed to be. If the copied digital signal is not as good as the original, then there's something wrong with the copy. There is a separate question of error correction. Errors do happen in digital recording and transmission, but there are techniques (involving redundant information) to correct such errors. Some of those techniques have an overhead of just a few percent, so they're not a significant factor in storage space or transmission time. Does anyone know what - if any - error correction techniques are employed in digital audio? Note that it is *extremely* unlikely for errors to appear within logic circuits. For all practical purposes, they only happen in recording/playback and transmission. -- Ed Gould mt Xinu, 2560 Ninth St., Berkeley, CA 94710 USA ed@mtxinu.COM +1 415 644 0146 "I'll fight them as a woman, not a lady. I'll fight them as an engineer."