Xref: utzoo rec.audio:30310 comp.dsp:1490 Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!usc!zaphod.mps.ohio-state.edu!swrinde!elroy.jpl.nasa.gov!decwrl!ogicse!zephyr.ens.tek.com!gvgpsa!gold.gvg.tek.com!chrisc From: chrisc@gold.gvg.tek.com (Chris Christensen) Newsgroups: rec.audio,comp.dsp Subject: Re: Good speaker + DSP == perfect speaker? Message-ID: <2107@gold.gvg.tek.com> Date: 29 Mar 91 23:38:48 GMT References: <1991Mar22.171203.8665@sco.COM> <1991Mar27.042821.14392@cinnet.com> Followup-To: rec.audio Organization: Grass Valley Group, Grass Valley, CA Lines: 21 In article <1991Mar27.042821.14392@cinnet.com> eric@cinnet.com (Eric Bardes) writes: > >It is a nifty idea. Run enough DSP to counteract defects in the speaker >and room, BUT ... What about the response curve of the microphone? > Do us (recording engineers) a favor and don't try and correct microphone response curves! I guess the real question is how would you compensate for the Microphones response? Even the minimalists may use two or three different types of microphones for Classical recordings. Just my 2 cents worth. Asbestos suit on.! Chris Christensen