Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!sdd.hp.com!news.cs.indiana.edu!att!ucbvax!agate!garnet.berkeley.edu!thom From: thom@garnet.berkeley.edu (Thom Gillespie) Newsgroups: comp.cog-eng Subject: Re: Image syntax Message-ID: <1991Apr9.051234.15914@agate.berkeley.edu> Date: 9 Apr 91 05:12:34 GMT References: <1292@nttvdt.ntt.jp> Sender: usenet@agate.berkeley.edu (USENET Administrator) Distribution: comp Organization: University of California, Berkeley Lines: 21 In article <1292@nttvdt.ntt.jp> toyosawa@nttvdt.NTT.JP (Satoshi Toyosawa) writes: >Maybe one way to introduce syntax or grammer of pictures is to build >an expert-system on arts. But if we go so much into generalizing the >essence of arts, many of good information such as indescriable feeling >and emotion will be lost, however, that maybe the good starting point, >-- >---- Satoshi Toyosawa This is an aside but Pam McCorducks new book, Aaron's Code is a must read for anyone remotely interested in AI or expert systems and Art. It deals with the work of harold Cohen, a painter who was world famous in the late 60's, who decided to try to embody in art in a program. He was thedomain expert, and became the ultimate knowledge engineer and programmer to produce Aaron, an amazing program which draws 'like' Howard would except that there is a fair degree of randomness built into the program. This program does not produce 'computer art' it produces art. This is agigantic step past a mere expert system of art. The book is well written and raises all 'the ai questions' to a new level of discussion. \ --Thom Gillespie .