Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!sdd.hp.com!zaphod.mps.ohio-state.edu!uwm.edu!bionet!agate!usenet.ins.cwru.edu!abvax!iccgcc!joelson From: joelson@iccgcc.decnet.ab.com Newsgroups: comp.music Subject: Message-ID: <4124.27fb558b@iccgcc.decnet.ab.com> Date: 4 Apr 91 21:34:18 GMT References: <3123@esquire.dpw.com> <1991Mar19.134336.23909@ircam.fr> <4123.27fb5354@iccgcc.decnet.ab.com> Lines: 23 In article <4123.27fb5354@iccgcc.decnet.ab.com>, joelson@iccgcc.decnet.ab.com writes: > In article <1991Mar19.134336.23909@ircam.fr>, verin@ircam.fr (Nicolas Verin) writes: >> Could you please give the exact reference of the book and method to acquire >> perfect pitch? >> >> Thanks. > > I was born with perfect pitch - was able to play songs on the piano > I heard at the age of 3. I could identify all 88 keys on a piano > by the age of 6. Perfect pitch is similar to having color vision. > Just like a non-colorblind person can look at the sky and say it > is blue, I can listen to a note and automatically know what its tone > is. I am not a professional musician but I enjoy playing the piano and singing in choral groups. Perfect pitch is both good and bad... good - can tune an instrument, helps in music appreciation, can easily transpose music. bad - out-of-tune music in almost intolerable, it is difficult to sing in an out of tune choir or play an out of tune piano as I mentally have to translate each note. Gail Joelson 2183 Vernon Cleveland, OH 44118 (216)932-01127