Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!think.com!yale!bunker!hcap!hnews!109!147.0!David.Labell From: David.Labell@p0.f147.n109.z1.fidonet.org (David Labell) Newsgroups: misc.handicap Subject: Re: Hearie signers Message-ID: <18617@bunker.isc-br.com> Date: 11 Apr 91 04:43:33 GMT Sender: wtm@bunker.isc-br.com Reply-To: David.Labell@p0.f147.n109.z1.fidonet.org Organization: FidoNet node 1:109/147.0 - The CyberChurch BBS, Washington DC Lines: 32 Approved: wtm@bunker.hcap.fidonet.org Index Number: 14758 [This is from the Silent Talk Conference] Speaking of Marlee Matlin, there is a very moving scene in her film, "Children of a Lesser God," that I'd like to say something about here. William Hurt, her boyfriend, is playing the slow second movement of Bach's Double Concerto on the stereo. Matlin asks Hurt to explain what he finds so interesting in the music. The roles are reversed here, as Hurt attempts, with his hands, to describe what is happening. Briefly, two solo violins play continuous intertwined melodies against an orchestral background that is lush and sensuous. Hurt uses his hands, describing a violin with each of them. Being a lifetime admirer of this very musical moment, this was a stunning performance, almost like dance rather than sign language. Iguess you could say that it would be easier to explain the music of Bach to the deaf than the music of Chopin, say, because Bach's music has form and structure and even SHAPE, while Chopin's has mainly color and texture, ideas that can't be described adequately in words. Anyway, it was a very moving scene. It was meant for the hearing members of the audience, and it was intended to teach us an important lesson, which I think I managed to grasp. -- Uucp: ..!{decvax,oliveb}!bunker!hcap!hnews!109!147.0!David.Labell Internet: David.Labell@p0.f147.n109.z1.fidonet.org