Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!pacific.mps.ohio-state.edu!linac!att!cbnewsj!asd From: asd@cbnewsj.att.com (Adam S. Denton) Newsgroups: sci.electronics Subject: Re: DSP project Message-ID: <1991Apr17.194724.14349@cbnewsj.att.com> Date: 17 Apr 91 19:47:24 GMT Organization: AT&T Lines: 24 In article <8078@uceng.UC.EDU> schriste@uceng.UC.EDU (Steven V. Christensen) writes: >And let me tell you, that it is mucho difficult to quantify a vibrating >guitar string without resorting to DSP technology (we were using strict >analog). I bet you 100 capacitors of your choice that you didn't try a phase-locked loop, or did not try one correctly. A PLL, properly designed, will do EXACTLY what you want, and do extremely well. You toss the raw harmonic-infested string sound to the input, and out comes a nice, clean fundamental square/triangle/whatever wave to go to your F2V. The PLL can also do F2V but is typically not as accurate as a circuit designed specifically for that purpose. >It was basically a mic, and amp, a filter to get rid of hi-freq garbage, >and then the most futile attempt at a half-a-dozen methods to get a good >signal to send to a freq-voltage converter (to determine if a string is >in tune or not). If you insert a properly-designed PLL in between, you'll succeed. Trust me. Begin with the (LM, uA, NE, ...) 565 data sheet and associated application notes. Signetics has about a zillion (+/- a few) of them on the 565. Adam Denton asd@mtqua.att.com