Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!swrinde!cs.utexas.edu!uunet!vicorp!ron From: ron@vicorp.com (Ron Peterson) Newsgroups: comp.music Subject: Re: voice synthesizer Message-ID: <1991Apr18.230956.20033@vicorp.com> Date: 18 Apr 91 23:09:56 GMT References: <71181@eerie.acsu.Buffalo.EDU> Reply-To: ron@vicorp.com (Ron Peterson) Organization: V. I. Corporation, Amherst, Massachusetts Lines: 40 In article <71181@eerie.acsu.Buffalo.EDU> v092pxca@ubvmsb.cc.buffalo.edu writes: >Does anyone know if anyone is working on building a voice synthesizer? This In the cyberpunk novel "Little Hereos" a device called a VoxBox is used to create the lead and backing vocals for synthetically created music. It is described as requiring a real human voice as input which is then modified to give it zing. Perhaps there is work of this nature going on somewhere. I know that Laurie Anderson has a device that she uses to make her voice sound male. Anyone know the details of how it works? I've played with sending a voice through fuzzboxes, flangers, delays, equalizers and even synthesizers (anyone have a PAIA Gnome they want to sell me? Mine got stolen) like the ARP Avatar and while fun, it all sounds robotic. A memory of an ad in Electronic Musician comes to my mind--the one that showed a box with hundreds of LED's on the front and boasted real-time harmonic modification of guitar sounds. Costs more than 10K but might do some interesting things to a voice. Anyone ever try one? I'd be interested in knowing how hard it is to program and what it sounds like. PAIA sells an affordable vocoder. Perhaps this could be modified to work with the digital recording systems that are appearing (or the samplers that already exist) to function as an input device for altering vocals. Like this: Record a lyric, isolate the first word/sound, smooth the pitch fluctuations be specifying a pitch glide rate limit, using your voice as input record an amplitude and pitch history, then cut-paste-shift-alter-scale-stretch-impose rules on the history, then apply it to the recorded lyric, then fiddle with it to get it good. Sounds tedious but not much more so than twiddling sampled sounds. Seems like real-time modification of voice via DSP is do-able. Just guessing, it seems like it would require recognising/detecting events in song/speech (start, stop, click, resonance shifts, ?) in order to know when to switch in the proper algorithm for modifying that part of the sound (in addition to things like pitch shifting and equalisation.) Hook it up to a Max Headroom and then any dweeb (like me 8v) who can program can build themselves a new image and voice! (Pretty hard to take it into the bedroom though...robotics and telepresence?) ron@vicorp.com or uunet!vicorp!ron