Path: utzoo!utgpu!news-server.csri.toronto.edu!bonnie.concordia.ca!uunet!zaphod.mps.ohio-state.edu!mips!spool.mu.edu!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: drm2@mvuxn.att.com (David R Moran) Newsgroups: rec.audio.high-end Subject: Re: What's up with RDAT? Message-ID: <11581@uwm.edu> Date: 30 Apr 91 12:59:19 GMT Sender: news@uwm.edu Lines: 27 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu In article <11521@uwm.edu> winalski@psw.enet.dec.com (Paul S. Winalski) writes: >In article <11436@uwm.edu>, >km456265@longs.LANCE.ColoState.Edu (Kevin Melsheimer) writes: >|> >|>Has anyone heard any information about the new digital format that >|>is coming out sometime this summer? Is the new RDAT system supposed >|>to be as good as existing DAT systems? > >The new format is not RDAT (rotating-head DAT). It is SDAT (stationary-head >DAT). > >--PSW For whatever it's worth (not much in this forum, perhaps), I heard firsthand testimony from Boston Audio Society colleagues I respect in the January BAS meeting (a WCES wrapup) concerning tough auditioning tests of DCC (data-compressed SDAT). Peter Mitchell and Brad Meyer both said that so far as they could tell, using the most rigorous material (such as L-R low-level piano decay), Phillips had done their homework and their psychoacoustic testing of in-house subjects showing the greatest acuity extraordinarily well .... The system sounded superb, in other words -- that is, entirely neutral. I have not heard it myself, but Peter and Brad are not readily gulled. David Moran