Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: ttak@uhura.cc.rochester.edu (Tim Takahashi) Newsgroups: rec.audio.high-end Subject: Re: data compression Message-ID: <11984@uwm.edu> Date: 9 May 91 12:52:43 GMT Sender: news@uwm.edu Lines: 20 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu In article <11954@uwm.edu> 09nilles%cuavax.dnet@netcon.cua.edu (Fiver Toadflax) writes: >> This isn't as irrational as you might think. The problem with the DCC >> compression scheme is that signal degradation occurs with each >> encoding. > >I haven't seen the details(algorithm) of the DCC compression scheme, but >if it is any decient, nothing will be lost. Afterall, look at programs >such as PCZIP, UUencode, compress. However, PKZIP et.al. have a compression efficiency of around 2:1 (maybe more. maybe less for music type data). It is my impression that the sort of data compression that the DCC will use has a reduction factor of somewhere around 20:1. The same sort of stuff is proposed for digital photography. Somehow, it doesn't quite ring true. tim