Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!usc!jarthur!nntp-server.caltech.edu!nyet From: nyet@nntp-server.caltech.edu (n liu) Newsgroups: comp.sys.ibm.pc.hardware Subject: Re: Question about digitizing sound on SoundBlaster Message-ID: <1991May18.113449.11552@nntp-server.caltech.edu> Date: 18 May 91 11:34:49 GMT References: <1991May16.203132.5771@leland.Stanford.EDU> <1991May17.143321.14985@nntp-server.caltech.edu> <1991May17.191012.28047@agate.berkeley.edu> Distribution: usa Organization: California Institute of Technology, Pasadena Lines: 35 jorourke@monsoon.Berkeley.EDU (Jason O'Rourke) writes: >In article <1991May17.143321.14985@nntp-server.caltech.edu> nyet@nntp-server.caltech.edu (n liu) writes: >>tchuang@leland.Stanford.EDU ( Chuang) writes: >>> I was wondering if anyone knew of an easy way to record >>>sound directly from a source (eg. CD player, etc...) instead >>>of recording it through a microphone. I tried to do this once >>>(ie. running a patch cord from the CD line out to the >>>SoundBlaster's mic input) but the recorded sound was pretty >>>muffled (maybe due to impedence matching problems or something). >>>Any ideas? >>What you're hearing is an excessive amount of clipping. You just need >>to turn down the output level a tad. >The resistor would be the proper way, I think. But a lot of work! (at >least for me) I asked someone about recording and he told me he hooked >up his walkman with the volume VERY LOW, and it worked out great. This >might be a good starting point, while you try to get the other imputs going Looking back on my post, i realized that i had just increased the S/N noise ratio of this group significantly... Yes, i was dead wrong about the impedance bit. It DOES matter, and you do need an extra resistor in series (on either/both ends) to make up for this. Most line level devices don't do too well trying to drive a 600ohm mic input - they don't have the current capabilities. I think most line input impedances are in the high kohms. So, while the resistor network works ok, you have to be a bit careful how you hook it up. So the best way seems to be the op-amp route, although if you could find it, a quality audio matching transformer would do just fine (I have no clue as to the proper winding ratios yet). What bugs me is that the mic input is certainly a separate stage in the input, since A/D converters don't generally boast such high gain/flexiblity in mics. It would have been easy to provide an intermediate stage for line level. I believe several Mac digitizers provide for this, for example. nye