Xref: utzoo rec.music.misc:70971 comp.music:3405 rec.music.cd:16384 rec.music.synth:22067 Path: utzoo!utgpu!news-server.csri.toronto.edu!rpi!zaphod.mps.ohio-state.edu!usc!calvin.usc.edu!alves From: alves@calvin.usc.edu (William Alves) Newsgroups: rec.music.misc,comp.music,rec.music.cd,rec.music.synth Subject: Re: What is this BitStream thing??? Keywords: CD, digital to analog Message-ID: <33338@usc> Date: 5 Jun 91 01:25:27 GMT References: <2491@cluster.cs.su.oz.au> Sender: news@usc Followup-To: rec.music.misc Organization: University of Southern California, Los Angeles, CA Lines: 22 Nntp-Posting-Host: calvin.usc.edu In article <2491@cluster.cs.su.oz.au> jimu@minnie.cs.su.OZ.AU (James Bryant Uther) writes: > > I'm trying to find out (for a friend and for personal interest) more >about the fancy D/A algoritms people like Philips and Sony are using. >Could someone please explain to me, or >point me to some papers, that explain oversampling, BitStream, and >similar systems? Can't help you with BitStream, but as for oversampling, see: Wayne Schott, "Philips Oversampling System for Compact Disc Decoding," Audio, April 1984, 32-35. For a good general text, see: Ken C. Pohlmann, Principles of Digital Audio, (Indianapolis, IN: Howard W. Sams & Co., 1985). (There's a second edition out now.) Pohlmann also wrote a good explanation of the MASH ("1-bit") D/A in his "Insider Audio" column in Mix magazine a year or two ago. Bill Alves