Path: utzoo!utgpu!watserv1!watmath!att!news.cs.indiana.edu!spool.mu.edu!agate!bionet!CU.NIH.GOV!IAE From: IAE@CU.NIH.GOV ("Irene Anne Eckstrand") Newsgroups: bionet.general Subject: Re: Line length Message-ID: <9106111944.AA07190@alw.nih.gov> Date: 11 Jun 91 19:43:49 GMT Article-I.D.: alw.9106111944.AA07190 Sender: daemon@genbank.bio.net Distribution: bionet Lines: 73 Attached (and slightly edited) are some comments made by Dan Wheeler about constructing messages for electronic communications. irene eckstrand iae@cu.nih.gov I have some professional background in visual cognition and a strong amateur interest in graphic design. There is a consensus about some of the issues involved in page layout. First, on line length. Long lines DO make text harder to read. When the eye moves back to the beginning of the line, you are more likely to lose your place if the line is too long. Designers can compensate for long lines by increasing the spacing between lines. But the major method for dealing with wide pages is to use multiple columns. Neither spacing nor multiple column formatting are usable tools given the current state of email systems. Second, on white space. (It is white space on a printed page. On my screen it is blue space.) Large blocks of solid type are difficult to read. There should be margins around the text. It helps to leave blank lines between paragraphs. It is NOT a waste of paper or screen space to leave some of it blank. Third, on all caps. Material in ALL CAPS is more difficult to read. The variations in letter shapes and word shapes are greater in the lower case alphabet, making them easier to recognize. The convention of regarding all caps as "shouting" in electronic communications is a good one from the point of view of readability and design. Finally, graphic designers always design for the reproduction system that is going to be used to distribute the work. I assume that most communications are going to be displayed on a screen showing at most 25 row of 80 characters and printed on fixed-pitch printers at either 10 or 12 characters per inch. This will change, but for now I regard these as the characteristics for which my electronic work should be designed. The people with systems capable of displaying proportionally spaced fonts with high resolution are also those people who can reformat text easily to make it look any way they want. So specifically, here is what I do: 1) I use a line length of 65 characters. This leaves what I regard as reasonable margins on an 80-character screen. This also gives 1 inch margins when printed on a 10 pitch printer with an 8.5 inch wide piece of paper. I regard anything over 72 characters as too long for the output devices in most common use. 2) I leave white space. I put blank lines between paragraphs and use indentation where appropriate. For instance, these paragraphs could have been done as numbered, but not indented. But using indentation adds white space, creates variation in appearance, and serves to direct attention to these points. 3) I write in shorter paragraphs when I write for email distribution. The reader ought to be able to see at least a full paragraph at once. I try not to write paragraphs that are longer than about 2/3 of a screen. When I write something for paper distribution, I feel free to write much longer paragraphs. Peace, Dan << Daniel D. Wheeler Internet: Dan.Wheeler@UC.Edu >> << Education & Psychology Bitnet: wheeler@ucbeh >> << University of Cincinnati Phone: (513)556-3607/861-3941 >> << Cincinnati, OH 45221-0002 FAX: (513)556-2483 >>