Path: utzoo!utgpu!news-server.csri.toronto.edu!bonnie.concordia.ca!uunet!zaphod.mps.ohio-state.edu!think.com!snorkelwacker.mit.edu!bloom-beacon!dont-send-mail-to-path-lines From: padraigm@well.UUCP (Patrick McFarland) Newsgroups: rec.music.gaffa Subject: Re: KaTe imitators Summary: No summary Keywords: KaTe, happy, jane, siberry, critique Message-ID: <25397@well.sf.ca.us> Date: 12 Jun 91 05:58:35 GMT Expires: Never expires References: <15373@ccncsu.ColoState.EDU> Sender: Love-Hounds-request@EDDIE.MIT.EDU Followup-To: You shoulda got this by now Organization: Whole Earth 'Lectronic Link, Sausalito, CA Lines: 28 Approved: love-hounds@eddie.mit.edu Doug, I really agree with just about everything you've had to say. First, as to the JaNe Siberry's wannabeism, although I love certain of her songs, On the Beach, in particular, and I feel that no amount of criticism can take away the originality of these pieces, I can see how JaNe's material could be taken for imitation, and I think THAT is just the fear that results from hearing ANY woman express her TRUE views.. Secondly, as re Happy Rhoades, I love her music, and I think I can explain this misunderstanding: KaTe grew up in an evironment where one was forced into self-reliance. It is a happy accident of karma that this divine spirit was practically ordained to become a musical virtuosity of the highest order. Happy had no such fortunate soil. As anyone in the U.S. can attest, the artistic climate (as the political climate) caters to conformism, and I admire the (superhuman, actually) effort she has had to exert to accurately express her own Art. If it relies on KaTe's rather heavily, well so be it - I myself rely on a goddess. Pat -- "A thousand slimy things lived on, and so did I"-STC "When the going gets weird, the weird turn pro"-HST "You're either part of the solution or you're part of the precipitate-Wilbur "If it's worth doing, it's worth overdoing"-Me